Fiddlers Philharmonic Encore! Cover Image

Fiddlers Philharmonic Encore!: Teacher's Manual Comb Bound Book

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Fiddlers Philharmonic Encore! Cover Image

Fiddlers Philharmonic Encore!: Teacher's Manual Comb Bound Book

By Andrew H. Dabczynski and Bob Phillips

Item: 00-18083

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Description
At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part "arrangement" for group performance. Chord symbols, for improvisation of additional instruments (guitar, mandolin, etc.) are also included. The comb binding creates a lay-flat book that is perfect for study and performance.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 120
ISBN10: 0-7390-0546-4
ISBN13: 978-0-7390-0546-0
UPC: 038081174723
SKU: 00-18083
Instrumentation: Teacher's Manual

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski has served on the faculty at Brigham Young University as Emeritus Professor of Music Education, where he established the BYU "New Horizons Orchestra" as both a performance ensemble for adult beginning string players and a training laboratory for string teachers. His contributions to music education earned him BYU's Joseph E. White Fellowship for Teaching and Learning, and Utah ASTA recognized him as "Higher Education Teacher of the Year" in 2005 and honored his "Outstanding Contributions to Music Education" in 2014.

His career spans multiple roles across higher education, public school administration, and professional orchestras. Dabczynski held teaching and administrative positions at the Eastman School of Music and in New York school districts, while also serving as Supervisor of Fine Arts Education in Michigan. As a performer, he has played viola with the Rochester Philharmonic, Hartford Symphony, and several other regional orchestras, and was a member of the Colden String Quartet during its tenure as ensemble-in-residence at Western Michigan University. His scholarly work focuses on fiddling traditions and ethnomusicology, complementing his co-authorship of the widely used String Explorer method series published by Alfred.

Why we love this

This manual transforms fiddle tunes from a genre often confined to folk specialists into repertoire that energizes every string player in the room. The solo-plus-three-part arrangement structure means players at different levels can participate authentically rather than waiting for simpler transcriptions, and the included chord symbols invite guitarists and mandolinists to join the fray, turning a string orchestra rehearsal into something closer to a genuine folk session.

What to expect

These fiddle tunes carry the warmth and vitality of live folk sessions, with melodies that sing naturally under the bow and harmonies that feel rooted in real tradition rather than orchestrated artifice. Playing through them generates the kind of ensemble joy that comes from music built for community and celebration.

Who it's for

String orchestra directors seeking repertoire that motivates mixed-ability ensembles and welcomes musicians of all ages, from middle school through community orchestras. Teachers wanting to introduce their players to folk traditions and cross-cultural music-making without leaving the safety of notated arrangements.

How to get the most out of it

  • Encourage rhythmic independence in the three-part arrangements by having players listen to their own line while being aware of the other parts, rather than defaulting to unison or octaves.
  • Use the chord symbols as a springboard for improvisation beyond the written parts; students who grasp the harmonic structure gain deeper understanding of melodic motion and can contribute their own variations.
  • Balance the energy and tempo with your ensemble's comfort level with ornamentation and stylistic rubato that comes naturally in folk fiddling, even if some tunes are performed straight at first.
  • Perform the solo versions strategically so featured players gain solo experience while building anticipation for the full three-part renditions that follow.

How to use it

Feature one tune as a concert opener to immediately shift the energy in the room and signal that this concert will include styles beyond standard orchestral literature. Alternatively, build a full "Fiddlers' Evening" concert around a selection of tunes, pairing them with brief ensemble talks about the cultural origins of each piece.

Skills your students will build

  • Reading and playing across multiple cross-cultural fiddle styles and rhythmic traditions
  • Maintaining independent lines in three-part harmony while listening to ensemble balance
  • Understanding and applying chord symbols for improvisation and accompaniment
  • Stylistic flexibility and interpretation within folk idioms (ornamentation, rubato, phrasing)
  • Collaboration with non-orchestral instruments (guitar, mandolin) in an ensemble setting

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