Fiddlers Philharmonic Encore! Cover Image

Fiddlers Philharmonic Encore!: Cello & Bass Book & CD

$14.95 USD
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Fiddlers Philharmonic Encore! Cover Image

Fiddlers Philharmonic Encore!: Cello & Bass Book & CD

By Andrew H. Dabczynski and Bob Phillips

Item: 00-26299

$14.95
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Description
At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part "arrangement" for group performance. Chord symbols, for improvisation additional instruments (guitar, mandolin, etc.) are also included.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-4412-5
ISBN13: 978-0-7390-4412-4
UPC: 038081290812
SKU: 00-26299
Instrumentation: Cello & Bass

More about this title

About the Composer: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski is an Emeritus Professor of Music Education at Brigham Young University, where he established the BYU New Horizons Orchestra as both a performance ensemble for adult beginners and a teaching laboratory for string educators. His contributions to the field earned him BYU's Joseph E. White Fellowship for Teaching and Learning, and Utah ASTA recognized him as Higher Education Teacher of the Year in 2005 and again in 2014 for his sustained impact on music education.

Throughout his career, Dabczynski has taught at the Eastman School of Music and in public school districts across New York and Michigan, while maintaining an active performance schedule with regional symphonies including Rochester Philharmonic and Hartford Symphony. His scholarly interests center on folk music transmission and fiddling traditions, a focus that informs his pedagogical work. He is the co-author of the String Explorer method series and has served in leadership roles with the American String Teachers Association.

Why we love this

The genius here is the three-tier structure: soloists get an authentic entry point into each tune, while ensemble players experience real folk arranging without overwhelming complexity. These are tunes your students will actually want to play outside of rehearsal, and the chord symbols open the door to improvisation and cross-curricular collaboration with guitar and mandolin players you may not have considered before.

What to expect

Genuine, unpretentious, alive. These tunes carry the rhythmic drive and melodic character of their cultural origins, arranged in ways that let each player feel the heartbeat of the music rather than mechanically reading notes. There's joy in simplicity here, paired with real musical substance.

Who it's for

String orchestras of all developmental levels, particularly programs serving adult learners or mixed-age ensembles where motivation and musical enjoyment matter as much as technical progress. The cello and bass book makes this equally accessible to students who specialize in lower strings.

How to get the most out of it

  • Listen through the recorded accompaniment multiple times before rehearsal so students internalize the groove and harmonic movement of unfamiliar folk traditions
  • Have players switch between solo and ensemble roles across rehearsals; cellists and bassists benefit from hearing how their part anchors the bigger picture
  • Invite musicians from your school's guitar program to read the chord symbols and play alongside, turning one collection into an interdisciplinary event
  • Use the 16 tunes to build a themed concert or pops night; folk music repertoire draws audiences who don't typically attend classical concerts

How to use it

Scatter three or four tunes throughout your year as concert fillers and morale boosters between heavier classical works, or dedicate a full rehearsal cycle to building a folk-themed concert that welcomes guitarists and other musicians into your orchestra space. This collection also works beautifully as summer music camp repertoire, where the accessible three-part format keeps all levels engaged simultaneously.

Skills your students will build

  • Reading and performing cross-cultural folk melodies from varied traditions
  • Harmonic awareness through chord symbol reading and accompaniment listening
  • Solo-to-ensemble transition and awareness of individual voice within group texture
  • Rhythmic flexibility and swing appropriate to folk idioms
  • Foundational improvisation using simple melodic and harmonic frameworks

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