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Fiddlers Philharmonic: Viola Book & Online Audio

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Fiddlers Philharmonic: Viola Book & Online Audio

By Andrew H. Dabczynski and Bob Phillips

Item: 00-11247

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Description
At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part "arrangement" for group performance. Chord symbols, for improvisation of additional instruments (guitar, mandolin, etc.) are also included. A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-1009-3
ISBN13: 978-0-7390-1009-9
UPC: 038081125572
SKU: 00-11247
Instrumentation: Viola

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski has shaped string education across multiple institutions and contexts. A viola performer with credits in regional orchestras including the Rochester Philharmonic and Hartford Symphony, he founded the BYU New Horizons Orchestra as both an ensemble for adult beginners and a training laboratory for string teachers. His academic roles at Brigham Young University, the Eastman School of Music, and several public school systems established him as a leader in string pedagogy, earning him Utah ASTA's Higher Education Teacher of the Year award in 2005 and recognition for outstanding contributions to music education in 2014.

Dabczynski's scholarly interests extend deeply into folk music and ethnomusicology, with particular focus on fiddling traditions and how folk repertoire transmits across generations. This passion informs his collaborative work on collections like Fiddlers Philharmonic, which brings authentic fiddle practices into the string classroom. He is also co-author of the comprehensive String Explorer method series published by Alfred, reflecting decades of commitment to accessible, engaging string instruction.

Why we love this

This collection bridges a real gap in string orchestra literature by treating folk fiddling as a legitimate, sophisticated tradition rather than a novelty. The three-part arrangement structure means every player participates meaningfully whether they're still building confidence or ready for more complex parts, and the included chord symbols open the door to collaboration with guitar and mandolin players—expanding the cultural relevance of your rehearsals. Its Federation Festivals selection status confirms it meets rigorous musical standards.

What to expect

The music carries the energy and directness of live fiddling, with accessible melodies that invite players to listen and respond to one another rather than hide in a thick texture. These tunes breathe in ways classical arrangements often don't, creating moments of rhythmic ease alongside passages that demand tight ensemble coordination.

Who it's for

This collection serves string orchestras spanning beginners through advancing players, since each tune's solo version works for younger or less experienced violists while the three-part arrangements challenge the full ensemble. It is equally valuable for adult community orchestras, school ensembles exploring cross-cultural repertoire, and programs aiming to broaden students' musical identities beyond classical traditions.

How to get the most out of it

  • Encourage vibrato restraint in the early passes through each tune. Folk fiddling tradition favors a cleaner bow tone and rhythmic precision; vibrato enters naturally as players internalize the melodic shape.
  • Balance the three parts by rehearsing each line separately first, then layering them. The harmonic movement in these arrangements rewards careful attention to intonation and blend.
  • Use the online audio to internalize the rhythmic character and stylistic inflections of each tune before sectional work begins.
  • Invite improvisation during rehearsals by having non-soloist players experiment with the chord changes on open strings or simple patterns. This builds the ensemble's understanding of harmonic movement and makes the folk tradition tangible.

How to use it

Program individual tunes as encores or concert openers to shift the energy of a classical concert, or build an entire segment around the collection to highlight your orchestra's versatility and cultural literacy. The cross-cultural nature of the 16 tunes makes this ideal for spring concerts, community engagement events, or festivals celebrating folk traditions in dialogue with classical repertoire.

Skills your students will build

  • Reading and performing in multiple keys with consistent intonation
  • Adapting playing style to folk idiom (lighter bow articulation, rhythmic flexibility, minimal vibrato)
  • Recognizing and executing three-part harmonic textures in a folk context
  • Understanding chord progression and harmonic function through exposed trio work
  • Cross-cultural musical literacy and awareness of folk traditions from different regions
  • Ensemble balance and listening skills in homophonic texture

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