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Fiddlers Philharmonic: Cello & Bass Book & Online Audio

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Fiddlers Philharmonic Cover Image

Fiddlers Philharmonic: Cello & Bass Book & Online Audio

By Andrew H. Dabczynski and Bob Phillips

Item: 00-11248

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Description
At last the excitement of traditional folk fiddling can be experienced by your entire string orchestra! Written by two renowned educators, this fun and motivating collection of 16 cross-cultural fiddle tunes is presented in a unique format that makes it perfect for players of any level or age. Each tune includes a solo version, followed by a 3-part "arrangement" for group performance. Chord symbols, for improvisation of additional instruments (guitar, mandolin, etc.) are also included. A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-1666-0
ISBN13: 978-0-7390-1666-4
UPC: 038081125589
SKU: 00-11248
Instrumentation: Cello & Bass

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski served as Emeritus Professor of Music Education at Brigham Young University, where he established the BYU "New Horizons Orchestra" as both a performance ensemble for adult beginning string players and a training laboratory for string educators. His contributions to music education earned him BYU's Joseph E. White Fellowship for Teaching and Learning, and Utah ASTA recognized him in 2005 as "Higher Education Teacher of the Year" and again in 2014 for "Outstanding Contributions to Music Education."

Dabczynski's career spans performance, pedagogy, and administration across prestigious institutions including the Eastman School of Music and multiple symphony orchestras (Rochester Philharmonic, Hartford Symphony, Portland Symphony, among others). He co-authored the widely used String Explorer method series and has held leadership roles in the American String Teachers Association. His scholarly interests center on folk music and ethnomusicology, particularly the study of fiddling traditions and how folk music transmits across cultures and generations.

Why we love this

This collection transforms the energy of traditional fiddling into a pedagogically sound string orchestra experience that works equally well for middle school ensemble and adult community orchestras. The solo-plus-arrangement format honors individual voice while building collaborative skills, and the cross-cultural selection exposes students to musical traditions often underrepresented in standard string curriculum.

What to expect

These tunes carry the warmth and swing of real fiddling traditions, with the intimacy of a solo line giving way to the joy of group participation. You'll experience the rhythmic freedom and expressive character of folk music alongside the clarity and discipline that comes from playing in three-part harmony.

Who it's for

String orchestras seeking repertoire that honors folk traditions while remaining accessible to developing players will find immediate use in this collection. Middle school, high school, and community adult orchestras all benefit from the flexible arrangement format, which allows cellists and bassists to participate fully regardless of current technical level.

How to get the most out of it

  • Encourage cellists and bassists to listen closely to the recorded accompaniment during rehearsal to internalize the melodic contours and rhythmic feels specific to each tradition; folk music relies on subtle inflection that written notation alone cannot convey.
  • Experiment with the chord symbols by having guitarists or mandolin players comp the changes while your string section plays through; this transforms the piece into a true ensemble experience and deepens rhythmic precision.
  • Isolate the bass line in early rehearsals to establish a confident foundation; many players benefit from understanding the harmonic framework before adding cello melodies on top.
  • Attend to articulation and dynamics as character markers: a lively jig may ask for crisp, bouncy bowing, while a slower air might call for a singing legato approach that differs from classical training.

How to use it

Open a spring pops concert or family-friendly program with these selections to showcase your string section's versatility and introduce audiences to folk music from around the world. Alternatively, weave individual tunes throughout the concert season as rehearsal builders and morale boosters, drawing on the recorded accompaniment for those moments when full orchestra rehearsal time is limited.

Skills your students will build

  • Reading chord symbols and understanding harmonic function in folk contexts
  • Listening and responding to recorded accompaniments across varied cultural styles
  • Adapting articulation and vibrato based on musical character and tradition
  • Building confident bass lines that support melodic material above
  • Intonation accuracy in ensemble settings with non-classical harmonic language

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