Fiddle-Faddle: Full Orchestra Conductor Score & Parts
By Leroy Anderson
Grade: 5
Item: 00-PK-0001017
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Fiddle-Faddle: Score | $11.00 | |
| Fiddle-Faddle: Piccolo | $3.00 | |
| Fiddle-Faddle: Flute | $3.00 | |
| Fiddle-Faddle: Oboe | $3.00 | |
| Fiddle-Faddle: 1st B-flat Clarinet | $3.00 | |
| Fiddle-Faddle: 2nd B-flat Clarinet | $3.00 | |
| Fiddle-Faddle: Bassoon | $3.00 | |
| Fiddle-Faddle: 2nd Bassoon | $3.00 | |
| Fiddle-Faddle: E-flat Alto Saxophone | $3.00 | |
| Fiddle-Faddle: 2nd E-flat Alto Saxophone | $3.00 | |
| Fiddle-Faddle: B-flat Tenor Saxophone | $3.00 | |
| Fiddle-Faddle: 1st F Horn | $3.00 | |
| Fiddle-Faddle: 2nd F Horn | $3.00 | |
| Fiddle-Faddle: 3rd F Horn | $3.00 | |
| Fiddle-Faddle: 4th F Horn | $3.00 | |
| Fiddle-Faddle: 1st B-flat Trumpet | $3.00 | |
| Fiddle-Faddle: 2nd B-flat Trumpet | $3.00 | |
| Fiddle-Faddle: 3rd B-flat Trumpet | $3.00 | |
| Fiddle-Faddle: 1st Trombone | $3.00 | |
| Fiddle-Faddle: 2nd Trombone | $3.00 | |
| Fiddle-Faddle: 3rd Trombone | $3.00 | |
| Fiddle-Faddle: Drums | $3.00 | |
| Fiddle-Faddle: Piano Accompaniment | $3.00 | |
| Fiddle-Faddle: 1st Violin | $3.00 | |
| Fiddle-Faddle: 2nd Violin | $3.00 | |
| Fiddle-Faddle: Viola | $3.00 | |
| Fiddle-Faddle: Cello | $3.00 | |
| Fiddle-Faddle: String Bass | $3.00 |
Parts Added to Cart!
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fiddle-Faddle: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Leroy Anderson
Leroy Anderson (1908, 1975) was an American composer and conductor whose gift for melody and orchestration made him a household name in mid-twentieth-century popular music. Trained at Harvard and the New England Conservatory, Anderson moved fluidly between the worlds of classical composition and commercial songwriting, creating works that appealed equally to concert audiences and radio listeners. His orchestral miniatures became teaching staples because they combine sophisticated harmonic language with infectious humor and memorable themes.
Why we love this
Fiddle-Faddle captures everything that makes Anderson's music essential for high school orchestras: a sparkling main theme that sits beautifully in the first violins, orchestration that gives every section a moment to shine, and the kind of rhythmic vitality that keeps players engaged from downbeat to final note. This reprint with newly engraved parts removes the friction of working from older editions and lets your orchestra focus on the music itself.
What to expect
Witty and lighthearted, Fiddle-Faddle bounces along with the energy of a musical conversation between sections. The writing is transparent enough that you hear each voice clearly, yet layered enough to reward careful listening.
Who it's for
High school orchestras ready to program something that works equally well in a concert setting or a festival competition. Directors seeking a Grade 5 piece that combines musicianship demands with genuine fun will find an ideal choice here.
How to get the most out of it
- Establish the tempo early in rehearsals; the piece's charm lives in the forward momentum, and rushing the bouncy opening theme will flatten its character.
- Balance the pizzicato sections carefully so they don't overwhelm the melody; Anderson writes them as counterpoint, not accompaniment.
- Pay attention to articulation markings in the woodwinds and brass; they're the key to the piece's humor and style.
- Record a run-through before your final rehearsals to let students hear how the full orchestration supports their individual parts.
How to use it
Pair this with a classical concerto or a modern work to create an evening that moves between different musical worlds; its personality makes it an effective palette cleanser. It also works as a closer for pops concerts or family concerts where you want to send the audience home smiling.
Skills your students will build
- Balancing transparency in tutti sections
- Playing pizzicato rhythmically and cleanly
- Sustaining lyrical lines in the face of active accompaniment
- Responding to rapid tempo and articulation changes