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feelslikeimfallinginlove: 2-Part Choral Octavo

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feelslikeimfallinginlove Cover Image

feelslikeimfallinginlove: 2-Part Choral Octavo

Recorded by Coldplay

Words and music by Oscar Thomas Holter, Max Martin, Guy Berryman, William Champion, Jonathan Buckland, Jon Hopkins, Tim Rutili, and Apple Martin / arr. Andy Beck

Item: 00-51570

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Description
Coldplay made a splash at the 2024 MTV Music Awards with this shimmering single from their tenth studio album, Moon Music. A steady rock groove drives the irresistible hook as lyrics explore opening one's heart to love. From the optional solos at the start to the stadium-sized choral outro, this high-powered arrangement is a surefire winner for singers of any age. Be sure to check out the award-winning animation on Coldplay's official lyric video!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081590707
SKU: 00-51570

More about this title

Why we love this

Andy Beck's arrangement captures the driving energy and massive hook of Coldplay's original without overcomplicating the choral writing. The optional solos give singers ownership of the opening, while the build into a full choral section creates that stadium-concert feeling your singers will actually want to rehearse. It's contemporary repertoire that doesn't require a vocal powerhouse to sound impressive.

What to expect

Bright and buoyant, with a shimmer to the harmony that floats above a propulsive rock beat. The melodic hook is immediately memorable, and the arrangement builds from intimate vocal moments into a full-throated celebration of opening your heart.

Who it's for

Choirs of all ages who want to perform current repertoire that connects with singers and audiences alike. This works equally well in middle school, high school, and community choir settings where contemporary rock-pop writing engages singers without sacrificing vocal musicianship.

How to get the most out of it

  • Lock the rock groove with your rhythm section first. The steady pulse underneath the melody is what makes this arrangement shine; once the beat is solid, the singers will find their pocket.
  • Balance the optional solo voice(s) against the choral texture. These solos should feel intimate and personal before the energy explodes outward into the full ensemble sound.
  • Let the recorded accompaniment guide your tempo during early rehearsals, then gradually shift the choir's ownership of the groove so they're driving the song, not following along.

How to use it

Program this as a concert opener or closer to energize your audience and remind everyone why pop repertoire belongs in choral music. It works especially well on a mixed program of various styles, offering a stylistic refresh that appeals to singers and listeners who might not typically attend a choral concert.

Skills your students will build

  • Singing over a steady rock groove and syncopated rhythms
  • Balancing solo voice against ensemble texture
  • Pop-inflected phrasing and contemporary vocal production
  • Reading 2-part arrangements with optional solo lines
  • Building dynamic energy from softer verse material into powerful choral sections

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