feelslikeimfallinginlove: 2-Part Choral Octavo
Recorded by Coldplay
Words and music by Oscar Thomas Holter, Max Martin, Guy Berryman, William Champion, Jonathan Buckland, Jon Hopkins, Tim Rutili, and Apple Martin / arr. Andy Beck
Item: 00-PO-0007343
Minimum order quantity: 20 copies
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More about this title
About the Composer: Oscar Thomas Holter
Oscar Thomas Holter is a composer and arranger whose work spans film, television, and popular music production. His arrangements have reached millions through his collaborations with major artists and his contributions to contemporary choral repertoire.
Why we love this
Coldplay's production team knows how to build an arrangement that works across skill levels without sacrificing musicality. The optional solos give your strongest singers a moment to shine, while the sweeping final chorus gives everyone a chance to feel the power of the ensemble. This is the kind of contemporary hit that actually respects the singers performing it.
What to expect
Shimmering and urgent at once, this arrangement captures that moment when vulnerability becomes strength. The rock groove keeps everything grounded and energized while the harmonic shimmer lifts the whole piece skyward, building toward a finale that feels genuinely triumphant.
Who it's for
Choirs working with contemporary pop material at the intermediate level will find this arrangement immediately rewarding. It connects with singers who grew up with Coldplay while offering enough musical substance to justify rehearsal time in any serious choral program.
How to get the most out of it
- Balance the rock groove underneath the vocal lines. The accompaniment drives the song forward, so resist the urge to slow down; let your singers ride the steady pulse rather than fighting it.
- Shape the hook melody with clarity and intention. Its catchiness is exactly why people know this song, so articulation and vowel consistency matter more than you might think.
- Build energy gradually from the verses into that stadium-sized choral outro. The arrangement is designed to peak at the end, so track your dynamic arc across the entire piece.
- If you feature soloists, give them breathing room in rehearsal. They need to feel confident enough to own those opening moments before the full choir enters.
How to use it
This works beautifully as a closing number for a pop-focused concert or as a high-energy contrast piece alongside more traditional repertoire. Consider programming it in the spring when your singers have the technique to handle the contemporary style and your audience expects something fun and current.
Skills your students will build
- Singing with rhythmic precision over a steady rock groove
- Balancing pop vocal production with choral blend
- Shaping contemporary melodic lines with lyrical intent
- Building dynamic energy across a multi-section arrangement
- Executing optional solo passages with confidence and musical independence