Feel It Still: SATB Choral Octavo
Words and music by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland / arr. Alan Billingsley
Item: 00-PO-0005894
Minimum order quantity: 20 copies
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More about this title
About the Composer: John Gourley
John Gourley is the lead vocalist and primary songwriter for Portugal. The Man, the experimental pop-rock band from Woodstock, Georgia that has built a devoted following through inventive production and genre-blending arrangements. Gourley's collaborative songwriting process with bandmates has produced chart-topping hits and critical acclaim, including the GRAMMY Award that "Feel It Still" earned in 2018 for Best Pop Duo/Group Performance.
Why we love this
This arrangement captures the infectious energy of a modern hit without sacrificing vocal sophistication. The interpolation of "Please Mister Postman" gives choirs a genuine musical connection to pop history, and the song's built-in hook means your singers will stay engaged through rehearsal and performance.
What to expect
Playful and propulsive, with an undeniable groove that makes singers want to move. The retro-pop production values sparkle with personality, and the song's title-capturing hook lands with instant satisfaction every time it returns.
Who it's for
Choirs looking for contemporary repertoire that connects with current pop culture while offering genuine musical substance. This piece works equally well for high school choirs seeking an engaging concert opener and community or collegiate ensembles that want to program something recognizable without sacrificing artistic integrity.
How to get the most out of it
- Nail the rhythmic precision of the hook. The "Ooh, I'm a rebel" section drives the whole piece; lock your section entrances and keep the pulse crisp so the ear catches every syllable.
- Let the bass line anchor the groove. Your lower voices set the foundation for the retro-pop vibe; have them feel the beat without rushing, especially during syncopated moments.
- Balance the '60s interpolation with the modern melody. These two musical ideas live side by side in this arrangement; rehearse them separately so singers understand both threads, then blend them with intention.
- Use the recorded accompaniment to build confidence. Sing with it early to absorb the groove and harmonic color, then pull it back during polishing rehearsals so your choir's tone shines through.
How to use it
Open a concert with this to capture immediate audience attention and set a celebratory tone. It pairs well alongside other contemporary pop arrangements and provides relief in a program otherwise filled with classical or traditional sacred repertoire.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Blend and balance of melody and countermelody in four-part writing
- Historical awareness of pop music evolution through musical quotation
- Stylistic flexibility in maintaining groove-based singing
- Diction clarity in contemporary pop arrangements