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Feel It Still: Choral Octavo SoundTrax CD

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Feel It Still Cover Image

Feel It Still: Choral Octavo SoundTrax CD

Words and music by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland / arr. Alan Billingsley

Item: 00-47139

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Description
Check out this cool retro-pop tune from the rock band Portugal. The Man that instantly snags the listener with its catchy hook: "Oo, I'm a rebel just for kicks now!" Listen closely for clever interpolations of the '60s hit "Please Mister Postman." This Hot 100 charter achieved #1 status on Billboard magazine's US Alternative Songs and went on to win a 2018 GRAMMY® for Best Pop Duo/Group Performance. A bona fide crowd-pleaser!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081539102
SKU: 00-47139

More about this title

About the Composer: John Gourley

John Gourley is the lead vocalist and primary songwriter of Portugal. The Man, an alternative rock band known for blending psychedelic, funk, and pop influences. His approach to songwriting emphasizes infectious melodies paired with introspective and sometimes surreal lyrics, making his work accessible to mainstream audiences while retaining artistic depth.

Gourley's creative output extends beyond Portugal. The Man's studio work into film and television scoring, and his influence on contemporary pop and rock composition has earned him recognition across multiple award bodies, including the Grammy Awards. His ability to craft hooks that lodge themselves in listeners' ears while maintaining musical sophistication makes his work particularly valuable for choral arrangers seeking contemporary material with both substance and appeal.

Why we love this

Alan Billingsley's arrangement captures everything that made the original a radio staple: that irresistible hook, the groovy rhythmic pocket, and the winking nostalgia of the 'Please Mister Postman' interpolation. The SoundTrax accompaniment lets you focus on what matters in rehearsal—getting your singers' blend tight and their energy infectious—rather than hunting for reliable backing tracks.

What to expect

Playful and propulsive, with a retro-pop sheen that feels both nostalgic and immediate. There's a swaggering confidence to this arrangement—the kind of cocky-but-charming energy that makes a crowd move and singers feel cool performing it.

Who it's for

High school and collegiate choirs looking for repertoire that speaks to current singers without pandering. Directors who want to program contemporary music with genuine radio presence and Grammy pedigree will find a piece that connects with student performers and audiences alike.

How to get the most out of it

  • Lock the groove with your rhythm section first. The pocket of this arrangement depends on clean entrances and steady subdivision, especially through the repetitive sections that make the hook so memorable.
  • Lean into the retro-pop energy without overdoing it. Billingsley's arrangement has space and sophistication; trust it to do its work rather than adding unnecessary choreography or exaggerated stylization.
  • Emphasize the contrast between the verse's conversational delivery and the hook's full-throated commitment. This dynamic shift is what makes the return to the hook feel earned.
  • Balance the interpolated 'Please Mister Postman' reference so it registers without overwhelming the contemporary song around it. It's a wink to listeners who recognize it, not the main event.

How to use it

This works as a set closer or second-to-last piece on a concert where you want to leave the audience energized. It pairs well with other contemporary pop arrangements in a multi-genre program, or as a counterweight to classical or sacred repertoire earlier on the concert. Its radio-hit familiarity makes it especially effective for community concerts where you're drawing audiences beyond core choir followers.

Skills your students will build

  • Groove-based rhythm reading and maintaining pocket across repeated sections
  • Balancing pop vocal stylization with ensemble blend
  • Interpreting contemporary harmonic language and syncopation
  • Managing dynamic contrast between conversational verses and anthemic hooks

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