Feel It Still: TTB Choral Octavo

This arrangement captures the infectious energy of a genuine hit without sacrificing singability for three male voices. Alan Billingsley's writing preserves the song's instantly recognizable hook while giving each voice part something engaging to do, making it rewarding for singers who might not otherwise encounter contemporary pop repertoire in rehearsal. The clever '60s interpolation adds musical depth for ensembles ready to explore how pop hits build on popular music history.

Retro-futuristic and irresistibly groovy. The song rides a steady, propulsive beat while flashing back to the Motown era, creating a sound that feels both nostalgic and very much of the moment. Singing it should feel playful and confident, with the kind of swagger that comes from knowing you're performing a song millions of people already love.

Treble-heavy or full ensembles with secure male singers who want to perform a contemporary hit with genuine chart credentials. This works well for intermediate to advanced high school and college choirs, or for community groups seeking repertoire that bridges popular culture and choral performance.

• Nail the rhythmic precision of the main hook "Oo, I'm a rebel just for kicks now!" Early in rehearsal, isolate this phrase and lock it as a section before layering other voice parts against it.
• The recorded accompaniment will help ground the blend and balance, especially for groups less familiar with contemporary pop idioms. Reference it consistently during early rehearsals so singers internalize the groove.
• Pay attention to the contrast between the verses and the hook. The verses sit lower and require a different energy than the high-octane excitement of the chorus.
• Emphasize diction clarity on the '60s interpolation section so the musical reference lands audibly. Singers should articulate those lyrics with the same sharpness as the main hook.

Perfect for a pop or contemporary music spotlight within a traditional concert, or as a statement piece that shows your ensemble's range. Pair it with other modern pop arrangements to create a set that opens the repertoire conversation to include living composers and current hits. It also works effectively as an opening number that immediately engages an audience.

• Groove-based rhythm and pulse synchronization across multiple voice parts
• Articulation and diction in contemporary pop idioms
• Recognition and execution of layered melodic references (original composition and '60s interpolation)
• Balance and blend in small male voice ensembles
• Performance style suited to rock and pop music (energy, attitude, rhythmic precision)