Favorito Cover Image

Favorito: Concert Band Conductor Score & Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
Skip to product information
Favorito Cover Image

Favorito: Concert Band Conductor Score & Parts

By Ernesto Nazareth / arr. Daniel Maudonnet

Grade: 5

Item: 36-M917202

$75.00
Shipped

One moment…

Description
Ernesto Nazareth (1863-1934) may have been the most important Brazilian composer to ever live. Credited with blending European and Brazilian influences in his piano compositions, he created many new Brazilian sounds in both the popular and classical music realms. Light and bouncy, Favorito was originally written for piano, but has been excellently scored here by Daniel Maudonnet for concert band.

Favorito: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Latin American Music Project - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134638-4
ISBN13: 978-1-57-134638-4
UPC: 735816070830
SKU: 36-M917202
Instrumentation: Concert Band, Ensemble Works

More about this title

About the Composer: Ernesto Nazareth

Ernesto Nazareth (1863-1934) stands as a towering figure in Brazilian music history, a composer who fundamentally reshaped how European classical forms could absorb and celebrate Brazilian rhythmic and harmonic idioms. Working primarily in piano composition, Nazareth created dozens of popular and concert pieces that proved Brazilian music could thrive in both salon and concert hall settings, earning him recognition as one of the most prolific and influential voices of his generation.

Nazareth's legacy extends beyond his own prolific output. His willingness to blend sophisticated harmonic language with authentically Brazilian musical DNA opened doors for generations of composers to follow, demonstrating that national musical identity and European musical tradition were not opposing forces but could enhance each other. For music educators, his work offers a masterclass in how folk and popular idioms can be elevated without losing their essential character.

Why we love this

Maudonnet's orchestration captures every ounce of charm from the original piano work while giving the full band genuine musical substance to play. A Grade 5 piece that sounds sophisticated and feels accessible is rare, and Favorito achieves both because the melodic writing is so strong that even straightforward harmonic and rhythmic accompaniment feels complete. This is the kind of arrangement that reminds students that concert band can swing.

What to expect

Favorito dances. There's lightness and warmth in the harmonic language, a sense of stylistic confidence that comes from music rooted in actual popular tradition rather than imitation. The piece unfolds with the infectious charm of a social gathering where European sophistication and Brazilian spirit are equally at home.

Who it's for

Grade 5 concert bands looking for repertoire that sounds more sophisticated than its technical demands suggest. Directors preparing a Latin American unit or seeking material that celebrates musical genres beyond the standard European canon will find an authentic and genuinely engaging centerpiece here.

How to get the most out of it

  • Keep the pulse light and buoyant rather than marching. Nazareth's style sits between dance music and concert music, and the band should reflect that infectious bounce without losing refinement.
  • Shape the melodic line with clear phrase arcs. Secondary passages are just as important as the main theme, and bringing out inner voices will reveal the harmonic sophistication Maudonnet preserved from the original.
  • Balance the rhythm section carefully. Accompaniment figures support the melody but should never overshadow it; test balance in sectionals to ensure the reeds and brass carry weight proportionally.
  • Use dynamics expressively rather than literally. The printed markings guide texture and color more than absolute volume; small adjustments within a dynamic level create the sway that defines this style.

How to use it

Pair this with other works from the Latin American Music Project series to build a thematic concert that shows students the range and depth of non-European classical traditions. Its accessible difficulty makes it ideal for a spring concert or as the confident closer to an educational program on Brazilian music and culture.

Skills your students will build

  • Recognizing and executing Brazilian rhythmic figures (particularly syncopation and samba-influenced patterns)
  • Balancing melody and accompaniment across multiple instrumental families
  • Interpreting stylistic nuance within classical forms adapted from popular music
  • Coordinating ensemble precision while maintaining rhythmic lightness and swing

You May Also Like