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Favorito: Concert Band Conductor Score

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Favorito: Concert Band Conductor Score

By Ernesto Nazareth / arr. Daniel Maudonnet

Grade: 5

Item: 36-M917201

$12.00
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Description
Ernesto Nazareth (1863-1934) may have been the most important Brazilian composer to ever live. Credited with blending European and Brazilian influences in his piano compositions, he created many new Brazilian sounds in both the popular and classical music realms. Light and bouncy, Favorito was originally written for piano, but has been excellently scored here by Daniel Maudonnet for concert band.

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Additional Details
Series: Latin American Music Project - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134639-2
ISBN13: 978-1-57-134639-1
UPC: 735816070724
SKU: 36-M917201
Instrumentation: Concert Band, Ensemble Works

More about this title

About the Composer: Ernesto Nazareth

Ernesto Nazareth (1863-1934) stands as a pivotal figure in Brazilian music history, credited with establishing a distinct national voice by fusing European harmonic sophistication with authentic Brazilian rhythmic and melodic idioms. Working primarily as a pianist and composer in Rio de Janeiro, he created works across both popular and concert genres, earning recognition as one of the first composers to legitimize Brazilian musical forms within classical contexts.

Nazareth's output spanned tangos, waltzes, and other dance forms that became foundational to Brazil's musical identity. His compositions demonstrate remarkable skill in blending accessibility with compositional depth, making his work valuable for both concert hall and educational settings.

Why we love this

Nazareth's Favorito arrives already shaped for the concert band medium through Maudonnet's sensitive orchestration, which translates the composer's syncopated charm and rhythmic vitality from piano idiom into an arrangement that sits naturally on wind instruments. At Grade 5, it offers your ensemble substantive musical content and genuine historical weight without demanding virtuosic technical chops, making it an excellent vehicle for teaching how European forms and Brazilian sensibilities can coexist in the same musical statement.

What to expect

Favorito captures the spirit of a Brazilian dance in all its rhythmic verve and melodic charm. There's an inherent lightness and forward motion in the writing that makes even the slower phrases feel alive; the orchestra moves with natural swagger and warmth, inviting audiences to lean in and enjoy themselves.

Who it's for

Conductors building concert band programs that reach beyond standard American and European repertoire will find Favorito an accessible yet substantive entry point into Latin American music. Grade 5 ensembles with solid fundamentals and reasonable sectional balance can execute this work successfully, making it ideal for conductors seeking to diversify programming and introduce students to genuine musical diversity.

How to get the most out of it

  • Emphasize the lilting character by resisting the urge to over-weight the downbeats; Nazareth's syncopations need air and elasticity to breathe.
  • Balance the melodic voice clearly so listeners can follow the tuneful content while ensuring accompaniment figures remain rhythmically crisp underneath.
  • Shape the phrases idiomatically to the Brazilian dance tradition rather than applying European symmetry; let the form breathe in its own time.
  • Coordinate rhythmic precision across sections, particularly where syncopation crosses traditional beat boundaries, to maintain the piece's light, bouncy character.

How to use it

Program Favorito as a mid-concert palate cleanser between weightier works, or pair it with other Latin American selections to explore a regional theme. Its approachable length and uplifting character make it equally suited to pops concerts, family matinees, or traditional concert programming where you want to showcase your ensemble's versatility and musical range.

Skills your students will build

  • Playing syncopated rhythms with precision and grace
  • Balancing melody and accompaniment across the ensemble
  • Interpreting dance idioms with appropriate character and style
  • Understanding harmonic chromaticism and Brazilian harmonic conventions

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