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Faust: Ballet Music (complete): Full Orchestra, Full Score

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Faust: Ballet Music (complete) Cover Image

Faust: Ballet Music (complete): Full Orchestra, Full Score

By Charles Gounod

Item: 36-A151001

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Description
CHARLES GOUNOD (1818-1893) was a prolific French composer in the mid 1800s, but he was not well recognized by his peers or the public until his opera FAUST was first performed in Paris in 1859. The opera remains today as one of the most dramatic and popular in the repertoire. The libretto by Jules Barbier and Michel Carré, based on the two-part play by Goethe, tells the story of the aging philosopher in search of lost youth. Selling his soul to the devil, he is transformed into a young man, but when he falls in love with the virtuous Marguerite, her own soul hangs in the balance. It premiered at the Théâtre Lyrique on March 19, 1859. The Act 5 ballet depicts a riotous and carnal celebration that takes place on Walpurgis Night. Instrumentation: 2 (2nd d. Picc).2.2.2: 4.2+2Crnt.3.1: Timp. Perc (3-4): Hp: Str (4.4.3.3.3 in set). Reprint edition.

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Additional Details
Series: Kalmus Ballet Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563375-X
ISBN13: 979-889-563-3755
UPC: 659859480862
SKU: 36-A151001
Instrumentation: 2 (2nd d. Picc).2.2.2: 4.2+2Crnt.3.1: Timp. Perc (3-4): Hp: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818-1893) was a French composer whose career spanned the nineteenth century, though widespread recognition came relatively late. His opera Faust, premiered in 1859, became one of the most performed operas in the world and established him as a major force in operatic composition. Beyond opera, Gounod composed orchestral works, sacred music, and songs that showcase his gift for melody and harmonic sophistication.

Gounod's training at the Paris Conservatory and his studies in Rome shaped a compositional style that blended French elegance with Italian lyricism. His works remain central to the orchestral and operatic repertoire, offering musicians access to the Romantic era's dramatic and technical demands.

Why we love this

The Faust ballet from Act 5 delivers unmistakable theatrical energy without sacrificing musical substance. Gounod's orchestration is colorful and sharply defined, giving every section clear material that holds interest while maintaining the relentless momentum of Walpurgis Night. This is the kind of excerpt that reminds orchestras why they love playing opera.

What to expect

Faust's ballet music pulses with pagan revelry and supernatural menace. Gounod layers sweeping string lines against crisp brass and harp figures, creating an intoxicating dance that feels both elegant and dangerous. The orchestration crackles with momentum, pulling the listener deeper into the night's madness.

Who it's for

This is repertoire for orchestras ready to tackle mid-nineteenth-century opera orchestration with technical confidence and musical sophistication. Conductors seeking a substantial ballet excerpt that showcases full ensemble color, brass punch, and rhythmic drive will find this score rewarding.

How to get the most out of it

  • Establish the harp's rhythmic role early in rehearsal. Its patterns anchor many sections and must sit confidently in the ensemble before other lines lock in.
  • Balance the optional second cornet and horn parts with care; these doublings enrich the brass but should never overwhelm the primary melodic voices.
  • Let the percussion section (3-4 players) prepare their entrances independently. The variety of color demands clean coordination between timpani, cymbals, and other struck instruments.
  • Shape the arc of the entire ballet as a single dramatic gesture rather than a collection of scenes. Transitions between sections matter as much as the sections themselves.

How to use it

This excerpt works brilliantly as a standalone concert feature when you want to demonstrate your orchestra's ability to handle operatic literature without programming the full opera. It pairs naturally with other nineteenth-century French orchestral works or serves as a dramatic centerpiece in a Romantic-era themed concert.

Skills your students will build

  • Reading and executing sharply defined articulations in a fast-moving orchestral texture
  • Balancing optional instrumental doublings (second cornet, extra horns) within the full ensemble
  • Coordinating rhythmic independence across multiple percussion instruments (timpani, cymbals, etc.)
  • Interpreting rapid harmonic changes and modulations characteristic of Romantic opera orchestration
  • Sustaining energy and focus through extended passages with continuous rhythmic momentum

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