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Faust: Ballet Music (complete): Full Orchestra, Score and Parts

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Faust: Ballet Music (complete) Cover Image

Faust: Ballet Music (complete): Full Orchestra, Score and Parts

By Charles Gounod

Item: 36-A151002

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Description
CHARLES GOUNOD (1818-1893) was a prolific French composer in the mid 1800s, but he was not well recognized by his peers or the public until his opera FAUST was first performed in Paris in 1859. The opera remains today as one of the most dramatic and popular in the repertoire. The libretto by Jules Barbier and Michel Carré, based on the two-part play by Goethe, tells the story of the aging philosopher in search of lost youth. Selling his soul to the devil, he is transformed into a young man, but when he falls in love with the virtuous Marguerite, her own soul hangs in the balance. It premiered at the Théâtre Lyrique on March 19, 1859. The Act 5 ballet depicts a riotous and carnal celebration that takes place on Walpurgis Night. Instrumentation: 2 (2nd d. Picc).2.2.2: 4.2+2Crnt.3.1: Timp. Perc (3-4): Hp: Str (4.4.3.3.3 in set). Reprint edition.

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Additional Details
Series: Kalmus Ballet Library
Publisher: Keiser Productions, Inc.
UPC: 659859485768
SKU: 36-A151002
Instrumentation: 2 (2nd d. Picc).2.2.2: 4.2+2Crnt.3.1: Timp. Perc (3-4): Hp: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818-1893) shaped French operatic tradition through a compositional style that balanced dramatic intensity with lyrical accessibility. Though he studied at the Prix de Rome and early works showed promise, his reputation remained modest until Faust premiered in Paris in 1859, a triumph that established him as one of the era's most performed composers and secured his legacy across European opera houses.

Why we love this

The Faust ballet music captures everything that makes a Walpurgis Night scene electrifying: rapid tempo changes, vivid orchestral color, and unrelenting rhythmic drive that keeps musicians locked together across shifting meters and textures. Conductors prize this score for its clarity and dramatic arc, making it an excellent test of ensemble control and sectional balance without demanding the rehearsal investment of a full operatic production.

What to expect

A whirlwind of orchestral color and sensuous abandon. The music lurches between moments of delicate charm and frenzied energy, with the entire ensemble pulled into a celebration that feels dangerous and intoxicating. Gounod's orchestration glitters with harp glissandos, darting woodwind lines, and urgent brass punctuation.

Who it's for

Orchestras at the intermediate-to-advanced level seeking a major orchestral work with genuine dramatic stakes and technical variety. This score rewards ensembles with solid sectional fundamentals and the ability to manage rapid textural shifts without losing ensemble cohesion.

How to get the most out of it

  • Clarify the brass writing in the opening sections by balancing the cornets against the horns; allow the cornets' brightness to cut through without drowning the harmonic foundation underneath.
  • Lock the timpani and percussion section to the first violins during the faster passages so rhythmic groupings stay unified across the large orchestra.
  • Shape the harp glissandos as delicate punctuation rather than melodic emphasis; they should color the texture without pulling focus from the primary instrumental voices.
  • Push the tempo gently through the transition into the final section to build momentum; this music gains power from forward motion rather than heavy articulation.

How to use it

Program this as a self-contained concert work rather than as an excerpt from the full opera, allowing the ballet to stand on its own dramatic merit. It pairs effectively with other 19th-century orchestral showpieces, or position it as the centerpiece of a concert exploring operatic instrumental music beyond the stage.

Skills your students will build

  • Managing rapid tempo and meter changes across a large ensemble
  • Balancing multiple simultaneous instrumental lines in thick orchestral textures
  • Sustaining rhythmic precision through passages with syncopation and cross-rhythms
  • Responding to gestural conducting in sections without clear melodic focus
  • Coordinating harp, timpani, and percussion entrances as textural punctuation

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