Farandole: String Orchestra Conductor Score & Parts
By Georges Bizet / arr. Merle J. Isaac
Grade: 3
Item: 00-PK-0000103
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Farandole: Score | $9.00 | |
| Farandole: 1st Violin | $5.99 | |
| Farandole: 2nd Violin | $5.99 | |
| Farandole: 3rd Violin (Viola [TC]) | $5.99 | |
| Farandole: Viola | $5.99 | |
| Farandole: Cello | $5.99 | |
| Farandole: String Bass | $5.99 | |
| Farandole: 1st Percussion | $5.99 | |
| Farandole: Piano Accompaniment | $5.99 |
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Description
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More about this title
About the Composer: Georges Bizet
Georges Bizet (1838, 1875) was a French composer whose gift for melody and dramatic orchestration made him one of the most performed classical composers in concert halls worldwide. Though he died at just 36, his operas and orchestral works remain staples of the repertoire, prized for their accessibility, emotional directness, and brilliant instrumental writing. Bizet's mastery of color and rhythm made him an ideal choice for educational arrangements; his music teaches conductors and players how to balance lyrical beauty with driving energy.
Why we love this
This arrangement captures the irresistible rhythmic vitality of Bizet's original while sitting comfortably within the technical reach of Grade 3 string players. The Farandole's folk-dance energy and memorable themes make it a crowd-pleaser that builds genuine ensemble cohesion without requiring advanced shifting or position work.
What to expect
Sunlit and buoyant, with the unpretentious charm of a folk celebration. The Farandole dances forward with infectious melody, rhythmic vitality, and moments of lyricism that remind players why they love playing together.
Who it's for
String orchestras working at the Grade 3 level who want a masterwork that combines festival appeal with genuine musical substance. Directors seeking repertoire that challenges ensemble musicianship without overwhelming developing technique will find this a reliable choice for contest or concert programming.
How to get the most out of it
- Keep the rhythmic pulse crisp and forward-moving throughout; this is a dance, not a reverie, so let the lilting meter propel the music naturally without dragging.
- Balance the dialogue between parts carefully, especially when themes pass between first violins and lower voices; clarity of line matters more than volume.
- Shape phrases within the longer sections rather than playing through-composed; find small peaks and valleys to maintain listener engagement across 148 pages of material.
- Use controlled vibrato and avoid oversinging on sustained notes, which allows the rhythmic and melodic energy to stay in focus.
How to use it
Program this as a centerpiece for a pops or family concert, where its accessibility and energy will resonate with audiences of all backgrounds. It also works effectively on festival programs, where judges consistently appreciate the combination of recognizable thematic material and clean orchestral writing.
Skills your students will build
- Maintaining steady rhythmic pulse in a lilting meter
- Balancing ensemble voices within the same range
- Shaping lyrical phrases within a dance context
- Responding to conductor cues across longer formal structures
- Sustaining tone quality at varying dynamic levels