Fanfare (from <i>La Peri</i>) Cover Image

Fanfare (from <i>La Peri</i>): Brass Band Conductor Score & Parts

$35.00 USD
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Fanfare (from <i>La Peri</i>) Cover Image

Fanfare (from La Peri): Brass Band Conductor Score & Parts

By Paul Dukas / arr. David Marlatt

Item: 81-BB1041

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Description
This fanfare was written to be played before the ballet La Peri. It is often performed on its own by brass ensembles to herald in a concert or recital. This is an arrangement for brass band that features some added percussion parts and a soprano line which add to the drama and excitement of this great fanfare.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-597-1
ISBN13: 978-1-55473-597-6
UPC: 685462015986
SKU: 81-BB1041

More about this title

About the Composer: Paul Dukas

Paul Dukas (1865-1935) stands as one of the most meticulous and fastidious composers of the late Romantic era. Best known for his orchestral showpiece The Sorcerer's Apprentice, Dukas wrote relatively sparingly, revising his works obsessively and destroying many compositions he deemed unworthy. His ballet La Peri (1912) represents one of his major theatrical works, a shimmering exploration of Persian mythology that showcases his gift for orchestration and dramatic pacing.

As a teacher at the Paris Conservatoire, Dukas shaped multiple generations of French composers and musicians. His influence extended beyond composition into music criticism and pedagogy, where he championed high standards and intellectual rigor. This fanfare, composed to introduce La Peri, captures Dukas's understanding of how music can command attention and create ceremonial grandeur.

Why we love this

This arrangement takes one of the finest opening gestures in ballet music and delivers it in a context where brass bands can truly own it. Marlatt's scoring heightens the original's dramatic punch by adding percussion and a soprano line, transforming a concert opener into a statement piece that commands respect. Contest and festival brass bands will find this both musically substantial and immediately impressive.

What to expect

The fanfare radiates ceremonial brightness and controlled power. Crisp articulation and brilliant brass sonority create an almost heraldic quality, while the soprano line adds a layer of elegance that prevents the gesture from becoming merely bombastic. There is formality here, but also warmth and genuine excitement.

Who it's for

Brass bands of intermediate to advanced capability will find this within reach and immensely rewarding. Directors seeking a festival or contest opener that carries genuine musical weight without overwhelming players will value this arrangement. Ensembles that want to open a concert with unambiguous impact should place this high on their list.

How to get the most out of it

  • Establish a strong foundation in the lower brass and tuba parts before adding the brilliant upper voices; balance here determines whether the fanfare soars or becomes shrill.
  • Shape the soprano line with special attention to phrase contour and air support; it cuts through the ensemble and needs conversational clarity alongside brilliance.
  • Treat the added percussion as partners in drama, not accompaniment; each stroke should feel intentional and timed with surgical precision.
  • Use the conductor score to trace the harmonic momentum throughout; knowing where tension builds and releases helps the ensemble play with unified architecture rather than surface excitement.

How to use it

Position this as a concert opener or formal recital prelude; it was born to herald events and never loses that function. Pair it with contrasting works that benefit from this kind of strong entrance. Festival and competition programs gain credibility when this fanfare leads them off, signaling artistic ambition to an audience from measure one.

Skills your students will build

  • Unified articulation and sectional precision across a large ensemble
  • Balancing upper and lower brass voices in homophonic textures
  • Responding to dramatic direction and conducting gesture with coordinated ensemble response
  • Sustaining tone quality and intonation under the demands of brilliant register writing
  • Coordinating brass ensemble with added percussion parts and soprano line

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