Fanfare (from <i>La Peri</i>) Cover Image

Fanfare (from <i>La Peri</i>): Brass Choir Score & Parts

$25.00 USD
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Fanfare (from <i>La Peri</i>) Cover Image

Fanfare (from La Peri): Brass Choir Score & Parts

By Paul Dukas / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BC2761

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Description
This fanfare was written to be played before the ballet La Peri. It is often performed on its own by brass ensembles to herald in a concert or recital by a brass ensemble. This new edition offers both B-flat and C trumpet parts as well as bass clef only trombone parts to aid in readability by more groups. Some inconsistencies, note spellings and obvious errors have been corrected without comment.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-357-4
ISBN13: 978-1-55472-357-7
UPC: 685462000722
SKU: 81-BC2761
Instrumentation: 3.4.3.0.1

More about this title

About the Composer: Paul Dukas

Paul Dukas (1865, 1935) stands as one of the most scrupulous orchestrators of the late Romantic era, a composer who valued precision and clarity above prolific output. His ballet La Peri, premiered in 1912, showcases his mastery of instrumental color and architectural form; the fanfare that precedes it distills these qualities into a brilliant, compact statement that has become a cornerstone of brass repertoire.

Why we love this

Dukas's fanfare delivers the ceremonial gravitas and harmonic sophistication that separates it from generic brass openers. This Marlatt edition removes editorial barriers, offering both B-flat and C trumpet options and bass clef trombones, so your ensemble can focus on the real work: balancing the layered brass textures and executing the dynamic arcs that give the piece its architectural power.

What to expect

Radiant and processional, with a stately forward momentum that feels both ceremonial and deeply musical. The brass voices interlock in rich, glowing harmonies that suggest pageantry without sacrificing elegance or restraint.

Who it's for

Brass choirs and ensembles seeking a concert opener that sounds substantial without requiring a full orchestra. This is ideal for groups at the high school or college level ready to handle Romantic-era harmonic language and clean ensemble intonation.

How to get the most out of it

  • Balance the interior lines; this is not a top-note showcase. The texture demands that horn and trombone voices carry harmonic weight equally with the trumpets.
  • Shape the dynamic contours in phrases, not just hitting the marked levels. Let the harmony breathe through the crescendos and diminuendos.
  • Lock the articulation between sections before you worry about tempo. Unified tonguing across the brass family will make the rhythmic drive clear.

How to use it

Lead a concert with this to set a formal tone, or pair it with other French Romantic works for a thematic program. It works equally well as a standalone feature that lets your brass section shine without committing to a longer multi-movement work.

Skills your students will build

  • Balancing four independent brass lines while maintaining phrase continuity
  • Executing classical fanfare articulation and decay patterns
  • Reading and performing from both treble and bass clef transpositions
  • Controlling dynamic shape and harmonic resonance in sustained chords

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