Eye of the Tiger Sheet Music Preview

Eye of the Tiger: SSA Choral Octavo

Words and music by Frankie Sullivan III and Jim Peterik / arr. Eric Van Cleave

Item: 00-PO-0003368

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Description
Written at the request of Sylvester Stallone, this chart-topping hit by Survivor was also featured in the movie of the same name. Combined sales of the original vinyl recording and digital download make this one of the best-selling singles of all time. Don't miss the "thrill of the fight!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003368

More about this title

About the Composer: Frankie Sullivan

Frankie Sullivan co-wrote "Eye of the Tiger" with Jim Peterik during the early 1980s, a period when pop songwriting emphasized immediate melodic hooks and driving rhythmic momentum. The song's success across radio, film, and later digital platforms established Sullivan as a songwriter capable of crafting music that transcends genre boundaries and reaches mainstream audiences while maintaining strong musical construction.

Why we love this

This arrangement taps into one of the most recognizable melodies in popular music without relying on novelty or irony. The SSA voicing sits naturally for treble choirs while the driving rhythm and iconic hook engage singers who might otherwise feel disconnected from their repertoire.

What to expect

The arrangement captures the relentless forward motion of the original recording. You feel the buildup of intensity through harmonic and rhythmic layering, and the climactic moments land with satisfying impact when voices lock together on the hook.

Who it's for

SSA choirs at the middle school through early college level will find this piece accessible and immediately engaging. Directors programming pop music alongside more traditional repertoire benefit from having an arrangement that students actually know and want to sing.

How to get the most out of it

  • Lock the rhythm section and accompaniment into a tight groove from the first rehearsal. The propulsive energy of this song depends on ensemble precision with the recorded accompaniment.
  • Shape the melody line with confidence rather than restraint. The straightforward lyrics and familiar tune invite singers to commit fully to each phrase.
  • Balance the vocal parts so the main melodic material reads clearly over the supporting voices. Test this balance in rehearsal with the recorded accompaniment playing.

How to use it

Consider this for a contemporary pop segment in a concert, or use it as an opener to energize an audience and grab immediate attention. It works equally well as a finale if you want to send listeners out with an unforgettable, high-energy closer.

Skills your students will build

  • Sustaining rhythmic precision in a grooved, syncopated arrangement
  • Balancing solo melody material with supporting vocal harmonies
  • Performing with confidence in a contemporary pop idiom
  • Listening and blending with recorded accompaniment

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