Eye of the Tiger: SATB Choral Octavo
Words and music by Frankie Sullivan III and Jim Peterik / arr. Eric Van Cleave
Item: 00-PO-0003366
Minimum order quantity: 20 copies
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About the Composer: Frankie Sullivan
Frankie Sullivan co-wrote "Eye of the Tiger" with Jim Peterik during the early 1980s, creating one of the most recognizable rock anthems in popular music history. Sullivan's work as a composer and musician has centered on crafting memorable melodies and driving rhythms that resonate across genres and generations.
Why we love this
This arrangement captures the unstoppable momentum and swagger of the original without sacrificing the singability that makes it work in a choral setting. Your singers will bring genuine energy to every rehearsal because they already know this song, and audiences respond instantly to those opening guitar riff figures translated into vocal lines. It's a rare pop standard that feels contemporary and timeless at once.
What to expect
Pure propulsive energy. The song channels the determination and combative focus of its movie origins into music that feels unstoppable once it gets going. Your choir will feel the confidence of delivering something universally recognized while enjoying the satisfaction of ensemble precision in a rock idiom.
Who it's for
Choirs at the intermediate level and above who want a contemporary pop standard with proven audience appeal. This works equally well for concert choirs looking to balance classical repertoire with something current, show choirs needing a confident opener or finale, and community and school ensembles seeking a morale-building selection everyone can rally behind.
How to get the most out of it
- Lock the rhythm section (bass and drums if using the instrumental parts) to keep the driving pulse steady; this song lives in its groove, and any wavering in tempo undermines its power.
- Shape the dynamic arc across the piece rather than singing at full volume from the start; the best performances build from intensity to absolute peak.
- Emphasize the unison or two-part moments that echo the original's lean, confident vocal approach; resist the urge to add excessive harmony where the arrangement keeps it simple.
- Pay attention to the articulation markings that suggest the percussive attack of the original production; precision here makes the difference between good and electrifying.
How to use it
Open a concert with it to set an energized tone from the first moment. Place it alongside other pop or contemporary selections to create a thematic block that contrasts with classical works, or use it as your finale to send the audience out riding a wave of momentum and enthusiasm.
Skills your students will build
- Singing with rhythmic precision in syncopated, groove-based material
- Maintaining steady pulse and tempo across a full arrangement
- Balancing blend and individual line clarity in rock idiom voicings
- Delivering confident, forward-moving phrasing without sacrificing diction
- Responding to dynamic shape and articulation as compositional tools