Eye of the Tiger Cover Image

Eye of the Tiger: SSA Choral Octavo

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Eye of the Tiger Cover Image

Eye of the Tiger: SSA Choral Octavo

Words and music by Frankie Sullivan III and Jim Peterik / arr. Eric Van Cleave

Item: 00-43447

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Description
Written at the request of Sylvester Stallone, this chart-topping hit by Survivor was also featured in the movie of the same name. Combined sales of the original vinyl recording and digital download make this one of the best-selling singles of all time. Don't miss the "thrill of the fight!"

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Eye of the Tiger: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081489872
SKU: 00-43447

More about this title

About the Composer: Frankie Sullivan III

Frankie Sullivan III co-wrote "Eye of the Tiger" with Jim Peterik in 1982, creating one of the most iconic rock anthems in popular music. The song's massive commercial success and cultural impact made Sullivan a significant figure in 1980s rock composition, demonstrating his ability to craft memorable melodies and driving rhythmic hooks that resonate across decades and musical contexts.

Why we love this

This octavo taps into genuine student enthusiasm without sacrificing musicality. Eric Van Cleave's arrangement respects the original's energy while making it genuinely singable for developing treble voices, and having instrumental parts available means you can build a fuller sound if your resources allow.

What to expect

Driving and propulsive, with the relentless forward momentum that made the original a stadium staple. The arrangement captures the defiant spirit of the source material while keeping the focus on clean vocal execution and ensemble blend.

Who it's for

Choirs with treble or mixed voices looking for a contemporary piece that generates real excitement in rehearsal and performance. This works especially well for groups comfortable with SSA voicing and wanting repertoire that connects with students' own musical world.

How to get the most out of it

  • Nail the rhythmic precision in the opening unison section; the groove depends on locking the syllables together with the backing track.
  • Shape the dynamic arch carefully through the verses so the chorus feels like a genuine payoff rather than just turning up the volume.
  • Let the recorded accompaniment drive the tempo and energy; resist the urge to slow down or soften during the bridge.

How to use it

Program this alongside other contemporary or pop-influenced pieces to create a concert set that reflects your singers' musical interests. It works particularly well as a closing number or as part of a thematic program centered on iconic film music or 1980s anthems.

Skills your students will build

  • Sustaining energetic rhythmic drive across multiple phrases
  • Maintaining focus and blend during unison sections
  • Balancing ensemble sound within SSA texture
  • Responding to recorded accompaniment cues and tempo
  • Executing sharp dynamic contrasts between verses and chorus

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