Exsultate Cantamos Festivo Sheet Music Preview

Exsultate Cantamos Festivo: Choral SoundPax

Music by Jay Althouse

Item: 00-PK-0005900

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Description
A unique concert work featuring a combination Latin/Spanish text. The vocal parts are rhythmic yet not difficult; the piano accompaniment provides the excitement. Includes a powerful 16-measure speech choir section. The SoundTrax CD includes two versions: a concert version with brass, and a hot, Latin track. InstruPax includes: director's score, 3 trumpets, 2 trombones, bass trombone/tuba.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Exsultate Cantamos Festivo: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 24
SKU: 00-PK-0005900
Instrumentation: SoundPax

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed across the English-speaking world and maintains active membership in ASCAP, where he is a regular recipient of the organization's Special Award.

Beyond his choral catalog, Althouse has co-written children's musicals with his wife Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored influential books such as The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, and Sixty Music Quizzes. His work reaches into civic life as well; he co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

The piano carries all the rhythmic fire here, freeing your singers to focus on tight Latin diction and syncopation without wrestling a complex vocal line. That 16-measure speech choir moment cuts through any arrangement with theatrical punch, and pairing it with the optional brass parts (or the Latin-flavored SoundTrax) gives you real programming flexibility depending on your resources and concert theme.

What to expect

Festive and propulsive from the first measure. The piano pounds out a Latin heartbeat beneath singers who are rhythmic but never strained, building toward that powerful moment when the whole choir speaks in unison, creating a percussion effect that pure singing alone couldn't achieve. The optional brass brings authentic color; even without it, the recorded accompaniment delivers authentic Latin heat.

Who it's for

Choirs of intermediate to advanced skill seeking an energetic concert opener or closer that doesn't demand vocal gymnastics. Directors working with multicultural or Latin-themed concert programming will find this particularly useful; the combination of accessible vocal writing and optional instrumental depth scales to your ensemble's capability.

How to get the most out of it

  • Lock the rhythmic precision of the speech choir section by rehearsing it without the piano first; once your singers own the speech patterns, the accompaniment becomes a propulsive backdrop rather than a distraction.
  • Lean into the Latin text pronunciation; work with your singers on the vowel sounds and rolled consonants that make this style breathe, particularly in the climactic moments where the rhythm accelerates.
  • If you're using the brass parts, schedule a joint rehearsal early enough to let brass and choir find their groove together; the excitement lives in that ensemble color, not in any single voice part doing heavy lifting.

How to use it

Program this as a high-energy concert opener to set an immediate celebratory tone, or use it as a closer when you want the audience leaving with infectious rhythm still in their ears. It pairs well alongside other multicultural or world music repertoire and works particularly effectively in spring concerts or events celebrating diversity.

Skills your students will build

  • Latin diction and Spanish language pronunciation
  • Rhythmic precision and syncopation (with piano accompaniment)
  • Speech choir technique and ensemble unison clarity
  • Performance confidence in rhythmically driven, non-traditional choral contexts

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