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Exsultate Cantamos Festivo: SAB Choral Octavo

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Exsultate Cantamos Festivo Cover Image

Exsultate Cantamos Festivo: SAB Choral Octavo

Music by Jay Althouse

Item: 00-18612

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Description
A unique concert work featuring a combination Latin/Spanish text. The vocal parts are rhythmic yet not difficult; the piano accompaniment provides the excitement. Includes a powerful 16-measure speech choir section. The SoundTrax CD includes two versions: a concert version with brass, and a hot, Latin track.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Exsultate Cantamos Festivo: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081172521
SKU: 00-18612

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he earned the Distinguished Alumni award. Early in his career, he worked as a rights and licenses administrator for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His compositional output spans more than 800 works for choirs at every level, performed consistently throughout the English-speaking world.

As a writer member of ASCAP, Althouse is a regular recipient of the ASCAP Special Award for his standard music compositions. He has co-created children's musicals with his wife Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and co-authored widely used resources such as The Complete Choral Warm-up Book and Accent on Composers. His collaborative choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. Based in North Carolina, he has served on the board of the North Carolina Master Chorale and currently advises the National Board of the Folk Art Society of America.

Why we love this

Althouse solves the challenge of finding energetic Latin repertoire that doesn't demand technical virtuosity from younger singers. The piano accompaniment carries the rhythmic drive and excitement, allowing your SAB ensemble to focus on confident, clean singing while the speech choir section gives the piece theatrical punch and an unforgettable moment. The included SoundTrax CD offers flexibility: program with the full brass arrangement for a formal concert or use the hot Latin track for a more contemporary, high-energy presentation.

What to expect

Infectious and celebratory, with propulsive rhythms that pull singers and listeners forward. The speech choir section strips away the melody and leans into call-and-response excitement, creating a moment of raw ensemble power before the piece concludes.

Who it's for

SAB choirs seeking repertoire that celebrates Latin and Spanish cultures without requiring advanced vocal technique. This work suits middle school through early high school ensembles, community choirs, and festival programming where rhythmic energy and accessibility are equally important.

How to get the most out of it

  • Teach the speech choir section as a rhythmic group exercise before integrating it into the full score. Work for precision and unison punch; the 16 measures land hardest when executed with absolute agreement.
  • Let the recorded accompaniment anchor your early rehearsals, particularly the Latin-inflected piano patterns. Once your singers are secure, you can pull back on the recording and shape the vocal balances independently.
  • Emphasize the rhythmic forward momentum in the vocal parts. These lines are straightforward melodically, so direct energy toward articulation and ensemble precision rather than intricate interpretation.
  • If using the brass version for performance, conduct a separate rehearsal with the recorded accompaniment to lock the ensemble's tempo and feel with the full orchestration before the dress rehearsal.

How to use it

Open a concert with this piece to establish an energetic, welcoming tone, or use it as a crowd-pleaser mid-program when audience engagement matters most. It pairs well with other multicultural repertoire or works by contemporary choral composers, and fits naturally into themed concerts on Latin music, Spanish cultural heritage, or world music.

Skills your students will build

  • Rhythmic precision in Latin and Spanish musical idioms
  • Ensemble blend and balance across SAB voicing
  • Confidence performing text in Spanish and Latin
  • Rhythmic ensemble work in the speech choir section
  • Singing over a rhythmically active, non-homophonic accompaniment

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