Exsultate Cantamos Festivo Cover Image

Exsultate Cantamos Festivo: Choral SoundPax

$20.00 USD
Sale price  $20.00 USD Regular price 
Skip to product information
Exsultate Cantamos Festivo Cover Image

Exsultate Cantamos Festivo: Choral SoundPax

Music by Jay Althouse

Item: 00-18716

makemusic Cloud badge

Need it now?

Buy Digital Version
$20.00
Shipped

One moment…

Description
A unique concert work featuring a combination Latin/Spanish text. The vocal parts are rhythmic yet not difficult; the piano accompaniment provides the excitement. Includes a powerful 16-measure speech choir section. The SoundTrax CD includes two versions: a concert version with brass, and a hot, Latin track. InstruPax includes: director's score, 3 trumpets, 2 trombones, bass trombone/tuba.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Exsultate Cantamos Festivo: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 24
UPC: 038081173566
SKU: 00-18716
Instrumentation: SoundPax

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His compositional output spans more than 800 choral works performed internationally, and he is a writer member of ASCAP with multiple Special Award recognitions.

Beyond composition, Althouse has shaped music education through numerous publications including The Complete Choral Warm-up Book, Accent on Composers, and several reproducible classroom resources. He has collaborated with his wife Sally K. Albrecht on children's musicals and vocal collections. His choral work I Hear America Singing received national recognition when performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse understands what energizes a concert. The piano part carries all the rhythmic drive and harmonic color while the choir navigates rhythmic lines that feel contemporary without overwhelming singers. That 16-measure speech choir section gives you a moment of textural contrast and collective power that audiences remember long after the final chord.

What to expect

Festive energy courses through the accompaniment with Latin and Spanish warmth infusing every measure. The vocal writing sits comfortably in the voice while the rhythms keep everyone engaged; this is music that makes singers feel contemporary and alive without asking them to navigate complicated passages.

Who it's for

Choirs looking for a concert opener or closer that combines accessibility with genuine sophistication. Singers at intermediate levels can handle the rhythmic material without drowning in technical demands, while your program gets the sparkle and cultural flavor that distinguishes a memorable concert.

How to get the most out of it

  • Layer the speech choir section carefully during rehearsal. Establish the spoken rhythm in unison first, then add the sung material underneath so both elements land together cleanly.
  • Use the SoundTrax brass version to anchor tuning and blend during early rehearsals, then gradually reduce dependence on it as singers internalize their harmonic relationships.
  • Balance the energy between accompaniment and voices by having your accompanist play the recorded backing track once during full rehearsals so the ensemble can feel the full orchestration they're singing against.
  • Mark all the rhythmic hits in the score visually so singers understand where the piano's excitement translates into a moment they need to nail together.

How to use it

Open a spring or end-of-year concert with this piece to set a celebratory tone immediately. The combination of Latin/Spanish text also makes it ideal for showcasing your ensemble's multicultural programming or pairing alongside other world music repertoire.

Skills your students will build

  • Latin rhythm patterns and their notation in 4/4 time
  • Spoken text delivery synchronized with sung material
  • Blending of tonal and percussive vocal colors
  • Responding to piano-driven ensemble accompaniment
  • Pronunciation and inflection in Spanish and Latin text

You May Also Like