Everything's Coming Up Roses Cover Image

Everything's Coming Up Roses: SSA Choral Octavo

$1.85 USD
Sale price  $1.85 USD Regular price 
Skip to product information
Everything's Coming Up Roses Cover Image

Everything's Coming Up Roses: SSA Choral Octavo

From the Musical Gypsy

Lyrics by Stephen Sondheim, music by Jule Styne / arr. Philip Kern

Item: 00-27243

Need it now?

Buy Digital Version
$1.85
Shipped

One moment…

Description
From the classic musical Gypsy comes this bright 2-beat number that's virtually a Broadway anthem. Phil Kern has kept the show-biz feel of the song intact, with a Broadway-style band accompaniment, available on the SoundTrax CD or as a performable SoundPax. A real showstopper; use it as a concert opener or closer with any of your choirs.

Everything's Coming Up Roses: SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081295039
SKU: 00-27243

More about this title

About the Composer: Jule Styne

Jule Styne (1905-1975) composed the scores for some of Broadway's most enduring musicals, including Gypsy, Funny Girl, and Bells Are Ringing. His gift for writing memorable melodies paired with rhythmically sophisticated harmonies made him one of the most recorded composers in American musical theater. Styne's work remains central to choral and vocal music education because his songs balance accessibility with genuine theatrical craftsmanship.

For music educators, Styne's catalog offers rich material for teaching song interpretation, style awareness, and the craft of theatrical composition. His melodies sit naturally in the voice, and his harmonic language introduces singers to mid-century popular song without sacrificing musical substance.

Why we love this

Philip Kern's arrangement captures the kinetic energy and brass-forward style of the original without overshadowing the singers. The 2-beat feel keeps the piece moving with genuine showbiz momentum, and the Broadway-style accompaniment (available as a playable SoundPax or recorded track) means your ensemble sounds fully realized from the first rehearsal. This is a piece that builds confidence and joy in your singers while delivering real theatrical impact.

What to expect

Everything's Coming Up Roses radiates confidence and theatrical joy. The bright 2-beat pulse, the iconic melody, and the show-biz orchestration create an atmosphere of celebration and forward momentum. Your singers will feel the energy of a real Broadway number, not a simplified arrangement; this is the genuine article performed by a choir.

Who it's for

This octavo is designed for mixed-age choral ensembles that include SSA or SSAA voicing, from middle school through community and semi-professional choirs. Directors seeking a concert piece with genuine Broadway authenticity and vocal accessibility will find the SSA voicing particularly useful for groups with limited tenor or bass resources.

How to get the most out of it

  • Keep the tempo buoyant and consistent. The 2-beat feel relies on forward motion; if you pull back, the showbiz energy evaporates. Use a conductor's gesture that emphasizes the lift, not weight.
  • Balance the accompaniment level during rehearsal so the singers can hear themselves clearly. The recorded or SoundPax option is full and lush; singers often need to hear their own blend first before performing with the full texture.
  • Attend to diction clarity in the upper voices, especially on the iconic title phrase. The brightness of SSA voicing can mask consonants if the choir isn't precise; mark problem spots in rehearsal and isolate them.
  • Let the arrangement's rhythmic figures do their work. Kern has written engaging counterpoint and rhythmic interplay in the parts; resist the urge to overemphasize or labor individual moments. Trust the craft.

How to use it

Open a concert with this piece to set an upbeat, theatrical tone that immediately signals audience engagement. It also works powerfully as a finale, leaving listeners with the optimism and showbiz sparkle the song was written to deliver. If you're programming a Broadway or musical theater themed concert, this is a natural anchor piece that pairs well with lighter selections and gives way to more dramatic material.

Skills your students will build

  • Rhythmic precision in 2-beat meter
  • Singing over a full instrumental accompaniment without being overwhelmed
  • Theatrical interpretation and character in ensemble singing
  • Intonation and blend in SSA voicing
  • Diction clarity at moderate to fast tempos

You May Also Like