Everything: SAB Choral Octavo
Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Alan Billingsley
Item: 00-PO-0003755
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Michael Bublé
Michael Bublé is a Canadian singer and songwriter whose smooth vocal style and contemporary interpretations of pop standards have made him one of the most commercially successful artists of the 21st century. His compositions and recordings are known for their warmth, accessibility, and broad appeal across generations, making them natural choices for choral arrangement and educational settings.
Why we love this
Billingsley's arrangement captures what made this song resonate globally without losing the intimacy of the original. The supportive accompaniment and warm harmonies sit comfortably in SAB range, giving singers the chance to perform contemporary material with real emotional substance rather than oversimplified pop covers.
What to expect
Bright and affirming, with a gentle rhythmic propulsion underneath. The three-part texture creates warmth without complexity; singers feel supported rather than stretched, and the lyrics invite genuine connection rather than detachment.
Who it's for
Choirs seeking contemporary material that balances accessibility with musical substance. This works well for groups with mixed voices including younger treble singers, intermediate singers finding their range, and lower voices who want meaningful harmonic roles.
How to get the most out of it
- Balance the melody line against the harmonic depth in the middle voices; the accompaniment should enhance rather than bury the song's emotional core.
- Lean into the legit singing quality the arrangement calls for. This is not a shouted pop song but rather an intimate celebration of love that happens to have a contemporary groove.
- Shape phrases through the lyrics with careful attention to where the text naturally breathes; the accompaniment will support your phrasing choices if you commit to them.
- Use the recorded accompaniment to lock the groove and feel, especially if your singers are less familiar with pop styles.
How to use it
Program this alongside art song or jazz-influenced choral work to show the range of your ensemble's stylistic palette. It works equally well as a spring or end-of-year closer when audiences respond to pop material, or as a contrast piece in a mixed concert that includes classical repertoire.
Skills your students will build
- Contemporary harmonic language and chord-driven arrangement writing
- Sustained legit singing technique applied to popular song
- Ensemble balance between melody, inner voices, and accompaniment
- Phrase shaping and lyrical expression in a groove-based context