Everything Sheet Music Preview

Everything: SATB Choral Octavo

Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Alan Billingsley

Item: 00-PO-0003754

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$2.10

Minimum order quantity: 20 copies

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Description
With lyrics extolling the happiness found in true love, this guitar-driven hit from Michael Bublé was a worldwide sensation. Warm harmonies and a supportive accompaniment combine in this well-crafted arrangement.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003754

More about this title

About the Composer: Michael Bublé

Michael Bublé emerged in the early 2000s as a major force in contemporary pop music, blending jazz influences with mainstream sensibility to create songs that connect with broad audiences. His gift for melody and his ability to craft deeply personal lyrics about love and human connection have made him one of the defining voices of his generation, with "Everything" standing as one of his signature achievements.

Why we love this

Alan Billingsley's arrangement captures the emotional directness of the original while giving choirs genuine musicality to sink their teeth into. The warm SATB voicing and guitar-driven accompaniment create an accessible but substantial piece that audiences recognize immediately, making it an effective opener or closer for concerts that blend pop repertoire with more traditional choral fare.

What to expect

This arrangement wraps listeners in genuine warmth and sincerity. The homophonic sections allow the text about finding completeness in love to land with clarity, while fuller harmonic moments remind singers that underneath the pop sensibility lies real musical substance.

Who it's for

Choirs seeking contemporary pop repertoire that doesn't require soloist showcases or extreme ranges will find this arrangement straightforward and rewarding. The piece suits intermediate to advanced choirs comfortable with popular music and four-part textures, and works equally well in high school and community settings.

How to get the most out of it

  • Balance the sopranos and altos in the opening sections so the melody emerges clearly without drowning out the harmonic foundation beneath it.
  • Shape the middle section with gradual dynamic growth, allowing tension to build before the final statement of the theme.
  • Let the guitar accompaniment breathe; avoid rushing the tempo, which can flatten the song's natural tenderness.
  • Pay attention to vowel consistency across the choir when approaching sustained notes, especially in the lower voices where blend directly affects the warmth of the arrangement.

How to use it

Consider pairing this with other contemporary pop arrangements to create a recognizable set that resonates with audiences who may not regularly attend choral concerts. Its emotional directness also makes it an effective encore or a bridge piece between art song and musical theater programming.

Skills your students will build

  • Balancing melody against harmonic accompaniment in four-part textures
  • Singing sustained tones with consistent vowel placement across a large ensemble
  • Shaping phrase contours that serve emotional storytelling rather than technical display
  • Reading and performing contemporary pop music notation and style conventions

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