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Everything: SSA Choral Octavo

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Everything: SSA Choral Octavo

Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Alan Billingsley

Item: 00-45545

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Description
With lyrics extolling the happiness found in true love, this guitar-driven hit from Michael Bublé was a worldwide sensation. Warm harmonies and a supportive accompaniment combine in this well-crafted arrangement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Everything: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081512846
SKU: 00-45545

More about this title

About the Composer: Michael Bublé

Michael Bublé is a Canadian pop vocalist and composer whose sophisticated approach to contemporary songwriting has made him one of the best-selling recording artists of the 21st century. His work bridges jazz-influenced arrangements with accessible pop sensibilities, creating melodies that resonate across a wide range of audiences and skill levels.

Why we love this

Alan Billingsley's arrangement captures the warmth and intimacy of the original while remaining genuinely singable for SSA ensembles. The guitar-driven texture translates beautifully to voices, and the proportions work perfectly for groups looking to program contemporary material that doesn't rely on unison strength.

What to expect

Warm and intimate, like a late-night conversation about love. The arrangement wraps familiar pop sensibilities around genuinely pretty harmonies, creating a moment that feels both current and timeless.

Who it's for

SSA choirs seeking contemporary material with genuine emotional stakes will find this accessible and rewarding. This arrangement works well for groups with mixed experience levels since the voicing sits comfortably and the harmonic language is grounded in pop idiom rather than classical voice-leading.

How to get the most out of it

  • Emphasize the lyrical quality of the melody line; this song lives or dies on legit phrasing, not rhythmic precision.
  • Balance the harmony voices carefully so the accompaniment doesn't overshadow the primary melodic strand.
  • Use the recorded accompaniment strategically during early rehearsals to establish the harmonic context before drilling the voicing transitions.
  • Keep the tempo conversational and unhurried; resist the urge to drive the piece forward.

How to use it

Program this as a standalone pop selection on a mixed concert, or pair it with other contemporary material to create a strong modern bracket. It works particularly well as a closer on a spring concert where the audience expects something familiar and emotionally resonant.

Skills your students will build

  • Balancing multiple harmonic layers without obscuring the melody
  • Sustaining legit vocal tone through longer phrases in pop contexts
  • Singing with text-driven expression and natural speech rhythm
  • Transitioning between SSA and SSAA voicings (where applicable to your arrangement)

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