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Esta Es el Tiempo: Choral SoundPax

$35.00 USD
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Esta Es el Tiempo Cover Image

Esta Es el Tiempo: Choral SoundPax

(This Is the Time)

Words and music by Jay Althouse

Item: 00-33174

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This is the time to add this multicultural gem to your concert program. Part Spanish, part English, but all fresh, fun, and sizzling! "Listen to the music, the sweet, sweet music." Includes parts for a. sax., t. sax., 2 tpt., tbn., rhy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Esta Es el Tiempo: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 32
UPC: 038081360829
SKU: 00-33174
Instrumentation: SoundPax

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he worked for eight years in rights and licensing at a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has more than 800 choral works in print across all performance levels, widely performed in English-speaking countries and beyond. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Beyond composition, he has co-written children's musicals with Sally K. Albrecht, compiled respected vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created classroom resources including Ready to Read Music and One-Page Composer Bios. He served on the board of the North Carolina Master Chorale and presently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse's gift for infusing contemporary energy into accessible choral writing shines here. The blend of Spanish and English lyrics, paired with live instrumental color (sax, trumpet, trombone, and rhythm section), makes this feel like a genuine celebration rather than a classroom exercise. The movement and staging elements built into the score give directors natural choreographic hooks without requiring elaborate production.

What to expect

Bright, rhythmically propulsive, and genuinely celebratory. The Spanish and English lyrics create a conversational quality that feels immediate and personal, while the live horn section and rhythm accompaniment give the piece a contemporary pop or fusion sensibility. It's the sound of joy that doesn't feel forced.

Who it's for

Choirs at the middle school through early high school level who want to perform something contemporary and culturally grounded. Directors seeking a strong multicultural piece that feels performable without extensive staging resources will find this accessible and rewarding.

How to get the most out of it

  • Treat the Spanish text with authentic rhythmic clarity; work the Latin percussion feel into your rhythm section so the groove locks before the choir enters.
  • Balance the saxes and trumpets so they punctuate the vocal lines without overwhelming the text. These instruments should feel like conversation partners, not background texture.
  • Encourage the choir to commit physically to the movement cues in the score. The staging is integral to the piece's energy and helps singers feel the pulse.
  • Shape the English sections with the same rhythmic precision you bring to the Spanish. The code-switching between languages is part of the piece's identity.

How to use it

Position this as an energetic centerpiece in a concert built around cultural celebration or diversity themes. It pairs well with other world music selections and works beautifully as a closer or opening number because of its rhythmic momentum and audience appeal. The recorded accompaniment option makes it flexible for rehearsal or performance contexts.

Skills your students will build

  • Singing Spanish diction with rhythmic precision
  • Balancing choral blend with live instrumental accompaniment
  • Coordinating movement and staging with ensemble singing
  • Understanding code-switching between two languages within a single musical line
  • Responding to rhythmic cues from a rhythm section and horn players

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