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Embraceable You: TTBB Choral Octavo

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Embraceable You: TTBB Choral Octavo

Music and Lyrics by George Gershwin and Ira Gershwin, Arranged by Jay Althouse

Item: 00-28704

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081312484
SKU: 00-28704

More about this title

About the Composer: George Gershwin

George Gershwin (1898–1937) shaped American concert music by fusing jazz idioms with classical forms. His gift for memorable melody and sophisticated harmony made him equally at home on Broadway, in the concert hall, and on the radio. For music educators, his work offers students a direct connection to the moment when jazz ceased to be merely popular entertainment and became a serious compositional language.

Ira Gershwin, George's lyricist brother, supplied words of wit and conversational grace to some of the most enduring songs in American musical theater. His partnership with George produced standards that remain central to the American songbook.

Why we love this

Jay Althouse's arrangement captures the sophisticated harmonic language that made this standard iconic while keeping the piece accessible for high school and college choirs. The flexible voicing (TB/TTB/TBB/TTBB) means you can program it regardless of your ensemble's strength in any given voice part. An all-male choir can sing a legitimate, jazz-inflected masterwork without compromise.

What to expect

A warm, intimate declaration wrapped in the harmonic sophistication of 1930s New York. The melody glides over chords that shift subtly beneath it, creating a feeling of ease and confidence. This is the sound of a standard that has earned its place in the repertoire.

Who it's for

TTBB choirs seeking a sophisticated jazz standard that challenges harmonically without overwhelming technically. This works equally well for high school treble-heavy groups using flexible voicing and college or adult ensembles singing full four-part texture.

How to get the most out of it

  • Balance the jazz inflection with the melodic sophistication underneath. This is not novelty music; the harmony deserves clarity and commitment from all four parts.
  • Pay attention to the lyrical phrasing of Ira Gershwin's words. Treat the text with the same care you would give to classical choral literature.
  • Let the arrangement breathe. Gershwin's music thrives on subtle rhythmic flexibility and space between phrases, not relentless forward drive.
  • Use light vocal production in the upper voices to maintain transparency when the soloists or featured sections emerge from the ensemble.

How to use it

Pair this with other Broadway standards or 20th-century American works to create a concert section celebrating the American songbook. It also serves as an excellent anchor piece when you want to program jazz-adjacent choral music alongside classical repertoire, showing students how genre boundaries blur in sophisticated arranging.

Skills your students will build

  • Singing over jazz chord changes and chromatic voice leading
  • Maintaining clarity in four-part male voicing with rich harmonic texture
  • Phrasing and text interpretation in a popular song idiom
  • Sight-reading flexible voicing (TTBB with TB/TTB/TBB options)

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