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Dry Bones: SATB Choral Octavo

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Dry Bones: SATB Choral Octavo

Traditional Spiritual / arr. Mark Hayes

Item: 00-17792

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Description
This Alfred Music best seller is now available for women's choirs! A fine, fun, and innovative arrangement of a popular spiritual about the prophet Ezekiel. Each verse is freshly approached, adding more and more excitement, building through a chromatically ascending "this bone connected to that bone" section, and ending with a big finish that will bring the house down! Great for festival use with or without the percussive SoundTrax or SoundPax. SoundPax includes parts for 2 a. sax., 2 t. sax., b. sax., 2 tpt., 2 tbn., rhy., perc.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dry Bones: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081166032
SKU: 00-17792

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has built a prolific career as a concert pianist, composer, arranger, and conductor with over 1,750 published works across all genres. He earned his Bachelor of Music degree summa cum laude in Piano Performance from Baylor University in 1975 and has since conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major sacred works including his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.

Beyond his sacred music legacy, Hayes has worked extensively in musical theater as an orchestrator and composer, contributing to productions including the award-winning Civil War Voices and arranging music for theatrical collaborations. His compositional voice spans from gospel to classical to jazz, with over 100 piano books in print. Baylor University honored him in 2010 with the Award for Exemplary Leadership in Christian Music, recognizing his sustained impact on the field.

Why we love this

Hayes transforms this spiritual into a structural masterclass, giving each verse its own character while the chromatic ascent through the famous bone-connecting passage builds momentum brilliantly. The arrangement works equally well with or without the optional SoundPax parts, making it flexible for festivals and concerts where instrumentation varies. The finale genuinely delivers the promised impact, and the score reads freshly enough that singers stay engaged through multiple rehearsals.

What to expect

The arrangement pulses with infectious energy while maintaining the spiritual's reverence. Harmonies shift progressively from straightforward to complex, and the famous "this bone connected to that bone" section crackles with harmonic motion that feels almost dizzying. By the final measure, the piece has earned its big finish.

Who it's for

SATB choirs looking for a crowd-pleasing spiritual arrangement with real musical substance will find this an ideal fit for festivals, concerts, and special events. The piece works for experienced community choirs and church ensembles of moderate to advanced ability. Directors seeking something familiar yet fresh will appreciate how Hayes honors the traditional melody while building architectural interest.

How to get the most out of it

  • Build the energy deliberately verse by verse rather than starting at full volume; the arrangement's architecture depends on a clear trajectory from restraint to celebration.
  • Emphasize the rhythmic precision in the chromatic ascending section; clean articulation makes the harmonic movement audible and exciting.
  • Balance the parts so that the familiar tune remains clear even as the harmony thickens; avoid letting the inner voices overwhelm the melodic line.
  • If using SoundPax, rehearse with the accompaniment early so the choir locks into the percussion pulse and finds its place within the full texture.

How to use it

Program this as a strong centerpiece for a concert devoted to spirituals or American sacred music, where its gospel spirit and structural variety will anchor the set. It also works brilliantly as a high-impact festival selection where the piece needs to impress both adjudicators and an audience. Consider placing it late in a concert to take advantage of its cumulative energy and crowd-pleasing finale.

Skills your students will build

  • Tracking harmonic movement through chromatically ascending passages
  • Maintaining ensemble balance when inner parts thicken
  • Executing rhythmic precision and articulation in syncopated sections
  • Interpreting varied approaches to a single melody across multiple verses
  • Responding to dynamic and textural changes that build architectural momentum

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