Dry Bones: TTBB Choral Octavo
Traditional Spiritual / arr. Mark Hayes
Item: 00-PO-0002155
Minimum order quantity: 20 copies
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About the Arranger: Mark Hayes

Mark Hayes brings three decades of prolific output across nearly 1,750 published compositions. After earning his degree in piano performance from Baylor University in 1975, he established himself as a composer, arranger, and conductor whose work spans sacred choral music, orchestral scores, musical theater, and an extensive catalog of piano repertoire ranging from gospel to classical to jazz.
Hayes has conducted at major venues including Lincoln Center, the National Cathedral, and Carnegie Hall, premiering significant works like his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014. His contributions to both concert music and musical theater have earned recognition including the 2010 Award for Exemplary Leadership in Christian Music from Baylor University's Center for Christian Music Studies.
Why we love this
Hayes transforms this spiritual into something genuinely theatrical without sacrificing its soul. The ascending chromatic section builds genuine momentum that lands with impact, and the structural variety across verses keeps singers and audiences engaged in equal measure. It's the kind of arrangement that feels fresh on every rehearsal and delivers a memorable finale.
What to expect
Infectious and propulsive. The arrangement moves through familiar melodic territory while Hayes' harmonic choices and structural progression keep it surprising. It builds from conversational energy into something celebratory and almost anthemic by the finish.
Who it's for
TTBB choirs seeking a spiritual that combines accessibility with sophisticated arranging and genuine showmanship. The 16-page score fits well in festival programming and works equally in concert settings where an energetic closer is needed.
How to get the most out of it
- Shape each verse with fresh energy and texture. Hayes layers the arrangement deliberately, so let the accumulation build naturally rather than pushing volume from the start.
- Balance the 'this bone connected to that bone' chromatic passage carefully. Keep individual voice lines clear so the harmonic movement registers with the audience.
- Consider the SoundPax percussion parts to amplify the rhythmic drive in the final section, but the piece works powerfully with voices alone if you prefer.
- Anchor the final big finish with solid ensemble rhythm. This is where the arrangement's theatricality pays off most effectively.
How to use it
Perfect as a festival or concert finale, or as a standalone showstopper in a mixed program. The piece works especially well when you've programmed more introspective material earlier; it pivots the emotional arc toward joy and exuberance.
Skills your students will build
- Singing through chromatic harmonic movement with intonation control
- Building ensemble energy across repeated structural variations
- Balancing four-part TTBB texture while maintaining melodic clarity
- Executing clean rhythm section work in the final sections