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Dream with Me: 2-Part / SSA Choral Octavo

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Dream with Me Cover Image

Dream with Me: 2-Part / SSA Choral Octavo

Words and music by Linda Thompson, David Foster, and Jackie Evancho / arr. Jay Althouse

Item: 00-38221

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Description
Here's the title track from "America's Got Talent" winner Jackie Evancho's debut album. Lovely, uplifting, full-sounding choral music with a truly magical message.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dream with Me: 2-Part / SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081426921
SKU: 00-38221

More about this title

About the Composer: Linda Thompson

Linda Thompson is a Nashville-based songwriter and performer whose career spans country, pop, and theatrical music. She has written or co-written numerous songs for major artists and film projects, bringing a gift for melody and emotional storytelling to every collaboration.

Why we love this

This arrangement captures the warmth and accessibility that made the original such a standout moment on a major platform. Jay Althouse's choral writing sits perfectly in young voices while maintaining the song's emotional core, and the text delivers an affirming message that resonates with singers and audiences alike.

What to expect

Bright and encouraging, with an almost luminous quality. The harmonic language is warm and consonant, creating an immediate sense of hope and invitation that feels genuine rather than saccharine.

Who it's for

Middle school through high school choirs seeking uplifting, contemporary repertoire with positive messaging. The SSA/2-Part voicing makes it accessible to developing singers while the pop idiom and well-known source material engage student performers.

How to get the most out of it

  • Balance the two or three parts so the melody remains clear; lighter voice weights on the upper line will prevent it from getting lost when fuller harmony enters.
  • Shape the phrase endings with gentle dynamic releases rather than abrupt cutoffs; this keeps the 'magical' quality the text describes.
  • Layer in the recorded accompaniment during final rehearsals so singers can feel the full harmonic context and lock into the groove.

How to use it

This works beautifully as a closer on a spring or end-of-year concert where you want to send the audience home uplifted. It also pairs well with other contemporary pop arrangements in a medley or showcase of film and television music.

Skills your students will build

  • Singing pop phrasing and rhythmic freedom within a structured arrangement
  • Balancing melody and harmony in a two or three-part texture
  • Interpreting dynamic and expressive shaping to convey text meaning
  • Tracking and responding to an accompaniment track

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