Don't Start Now: SATB Choral Octavo

Alan Billingsley's arrangement captures the infectious energy of a chart-topping hit without sacrificing choral texture. The optional alto solo gives you flexibility for programming and the chance to feature a strong section leader, while the full ensemble writing lets everyone in the choir feel the groove.

This arrangement pulses with post-disco swagger and modern electronic color. The perky, celebratory mood captures the song's message of moving forward with attitude, making it feel uplifting without being saccharine.

Choirs seeking contemporary repertoire that connects with singers and audiences alike will find this arrangement accessible and energetic. It works well for concert choirs, show choirs, or any ensemble looking to program recent pop hits with legitimate choral writing.

• Keep the rhythm section locked tight. The funk bassline and cowbell are essential to the nu-disco feel; even a slight drag will deflate the energy.
• Layer your dynamics across the verse and chorus. The synth chords and string bursts create natural dynamic peaks; use these as cues to shape the phrase.
• If featuring an alto soloist, ensure she has stage presence and confidence to match the song's attitude about independence.
• Consider using the recorded accompaniment to build familiarity with the groove before teaching all voice parts separately.

Position this as a centerpiece in a contemporary pop set or as a standalone closer that leaves the audience energized. It pairs naturally with other '70s-inspired pop arrangements or modern hits, and its upbeat character makes it ideal for spring concerts or year-end celebrations.

• Rhythmic precision in syncopated pop idioms
• Balancing solo presence with ensemble texture
• Sustaining energy and groove across multiple repetitions
• Responding to dynamic and orchestral cues from background accompaniment