Does This Chart Make Me Look Phat? Cover Image

Does This Chart Make Me Look Phat?: Jazz Ensemble Conductor Score & Parts

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Does This Chart Make Me Look Phat? Cover Image

Does This Chart Make Me Look Phat?: Jazz Ensemble Conductor Score & Parts

By Gordon Goodwin

Grade: 6 (Professional / Very Advanced)

Item: 00-41143

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Description
In the style of Nestico and Basie, this medium swing chart is full of nuances. Includes solo space for all saxes, trumpet 4, and trombone 1. At 110 BPM, this is truly a wonderful chart that will satisfy any mature band, as recorded by the Big Phat Band. (4:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Does This Chart Make Me Look Phat?: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Gordon Goodwin Series
Publisher: Alfred Music
Page Count: 94
UPC: 038081472829
SKU: 00-41143

More about this title

About the Composer: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin began composing full arrangements in his head at age five, writing complete works rather than fragments. By thirteen, he had completed his first big band chart, Hang Loose, establishing himself as a prodigy in jazz composition and orchestration. His work across film and television earned him three Emmy Awards and multiple Grammy nominations on projects including Bad Boys II, Con Air, Enemy of the State, and Remember the Titans. He has written for and performed alongside artists including Christina Aguilera, Quincy Jones, Ray Charles, and Toni Braxton, and has conducted major symphony orchestras across North America and Europe.

Since founding Gordon Goodwin's Big Phat Band in 2000, he has solidified his reputation as one of contemporary jazz's most inventive voices. The ensemble's debut album, Swingin' for the Fences, made history as the first commercially released DVD audio title and earned two Grammy nominations. Subsequent releases continued his trajectory, with XXL receiving three Grammy nominations including Best Large Jazz Ensemble Album. Goodwin's compositions balance respect for swing tradition with modern studio sophistication and compositional craft.

Why we love this

Goodwin writes in the vocabulary of Basie and Nestico while bringing unmistakable contemporary energy and orchestral color. The solos are strategically placed to spotlight each section without derailing the groove, and the harmonic movement keeps ensemble voices engaged throughout. This chart delivers exactly what an advanced band needs: music that sounds impressive on a festival stage and remains deeply satisfying to play.

What to expect

Confident and groove-centered, with the kind of swagger that comes from musicians who know exactly what they're doing. The chart moves through sections of unison drive, sophisticated counterpoint, and plenty of space for individual voices to breathe, all wrapped in the timeless appeal of the swing tradition.

Who it's for

Professional and very advanced jazz ensembles ready for contest and festival performance. This is repertoire for bands that have mastered fundamental swing technique and are prepared to navigate the ensemble complexity and solo demands of contemporary big band writing.

How to get the most out of it

  • Lock the tempo at 110 BPM from the downbeat; the swing feel depends on consistent underlying pulse even as individual voices move through the melody and countermelody.
  • Balance the solo sections so that featured players cut through without overpowering the ensemble response. Goodwin's orchestration is designed to support soloist, not bury them.
  • Shape the phrase endings with intention. The Basie influence shows in how seemingly simple cadences can land with real weight when the full band executes them together.
  • Listen to the Big Phat Band recording during rehearsal to absorb the articulation and rhythmic nuance. This chart reveals itself through the details of how notes are tongued and phrased.

How to use it

Feature this at jazz festivals or as the centerpiece of a contemporary big band concert. The recording history and professional polish make it an excellent anchor for a program showcasing ensemble maturity, and the variety of solo vehicles means you can highlight different musicians across the set.

Skills your students will build

  • Swing feel and ensemble groove at professional tempo
  • Balancing solo prominence with ensemble cohesion
  • Navigating complex harmonic movement and counterpoint within a groove context
  • Interpreting stylistic nuance specific to contemporary big band language
  • Responding to orchestral color and texture changes in real time

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