Divertimento No. 1 Cover Image

Divertimento No. 1: Brass Quintet Score & Parts

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Divertimento No. 1 Cover Image

Divertimento No. 1: Brass Quintet Score & Parts

Allegro con Spirito

By Franz Joseph Haydn / arr. David Marlatt

Item: 81-BQ222550

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Description
The "Allegro con Spirito" movement of the Divertimento No. 1 is from the Six Feldpartiten (open air suites), composed by Haydn in the early 1780s and now arranged by David Marlatt for brass quintet. Originally scored for two oboes, two French horns, three bassoons, and a B-flat serpent, this piece works beautifully for brass quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-911-0
ISBN13: 978-1-77157-911-7
UPC: 685462029129
SKU: 81-BQ222550
Instrumentation: Brass Quintet

More about this title

About the Composer: Franz Joseph Haydn

Haydn spent nearly three decades as court composer to the Esterházy family in Hungary, a position that demanded constant invention and technical mastery across every musical genre. His prolific output includes over 100 symphonies, numerous string quartets, operas, and vast quantities of chamber music, yet he remained a working musician first, writing for the ensembles and performers he knew rather than abstract ideals. His facility with wind instruments shaped some of the Classical era's most inventive music for brass and woodwinds, and his legacy rests on both structural brilliance and a generosity of spirit that made music accessible without sacrificing substance.

Why we love this

This arrangement brings genuine Classical substance to brass quintet, lifting the ensemble beyond standard transcription fare into repertoire with serious compositional pedigree. Marlatt has managed the original wind-band scoring with sensitivity to brass voices, preserving the character of Haydn's writing while creating something that sits naturally in the quintet's range. You get the architectural clarity and infectious joy of Haydn's style without sacrificing the brass quintet's own voice.

What to expect

Spirited and ceremonial, with the charm of an 18th-century garden party where musical wit and genuine craftsmanship meet. The movement sparkles with clean articulation, transparent voice-leading, and moments of real lyrical warmth balanced against driving rhythmic energy.

Who it's for

Brass quintets ready to tackle repertoire with genuine musical substance and historical weight. This works for ensembles with solid fundamentals and some experience with Classical style, but the clarity of Haydn's writing rewards careful attention at any level.

How to get the most out of it

  • Shape the phrasing with Haydn's melodic contours in mind rather than stopping at barlines; the 'Allegro con Spirito' title invites forward motion and articulate breathing, not legit sustain.
  • Balance the quintet so the principal cornet or trumpet voice leads without overwhelming the middle voices (horn and trombone), which carry important harmonic and rhythmic support.
  • Let the ensemble hear where the original orchestral tuttis fall; Haydn designed this for outdoor ceremony and celebration, so clean attacks and transparent textures will serve the music better than blended homogeneity.
  • Pay attention to dynamic nuance even within the brass texture; Haydn's writing includes subtle dynamic shifts that prevent the movement from feeling static despite its Classical architecture.

How to use it

Pair this with other Classical chamber works to build a recital section that showcases the quintet's ability to handle historical repertoire with sophistication. It also works as a confident opener or closer, offering the kind of immediate musical appeal and period color that audiences recognize and enjoy without requiring extensive contextual explanation.

Skills your students will build

  • Playing Classical style articulation and phrasing in a chamber setting
  • Balancing multiple voices within a compact texture
  • Reading and maintaining ensemble integrity through transparent writing with frequent voice exchanges
  • Interpreting historical context and applying it to modern brass voicing and tone
  • Rhythmic precision in Allegro tempo with stylistically appropriate energy

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