Divertimento No. 1 Cover Image

Divertimento No. 1: Interchangeable Woodwind Ensemble Score & Parts

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Divertimento No. 1 Cover Image

Divertimento No. 1: Interchangeable Woodwind Ensemble Score & Parts

Allegro con Spirito

By Franz Joseph Haydn / arr. David Marlatt

Level: Medium

Item: 81-WWE221178

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Description
The "Allegro con Spirito" movement of the Divertimento No. 1 is from the Six Feldpartiten (open air suites), composed by Haydn in the early 1780s. Originally scored for two oboes, two French horns, three bassoons, and a B-flat serpent, this piece works beautifully for any combination of woodwinds, arranged by David Marlatt. (3:00)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-819-X
ISBN13: 978-1-77157-819-6
UPC: 685462028207
SKU: 81-WWE221178
Instrumentation: Interchangeable Woodwind Ensemble

More about this title

About the Composer: Franz Joseph Haydn

Haydn spent most of his career in the employ of the Esterházy family, where he served as court composer and conductor. His prolific output across every genre made him one of the most influential voices in shaping the Classical style, and his innovative approach to form and orchestration influenced an entire generation of composers.

The Feldpartiten were written for outdoor performance at the Esterházy estates, designed to be practical and entertaining while maintaining the craftsmanship his patrons expected. These suites showcase his gift for clear melodic writing and witty orchestration within an accessible musical framework.

Why we love this

Marlatt's arrangement opens up a piece originally locked into a specific instrumentation, letting you actually perform Haydn with whatever combination of players you have on a given day. The writing sits comfortably across different woodwind voices while preserving the harmonic clarity and rhythmic snap that make the original so engaging.

What to expect

Bright and conversational, with the kind of melodic generosity that makes eighteenth-century wind music so satisfying. The movement dances along with natural phrasing and harmonic logic, giving players plenty to sink their teeth into without unnecessary technical display.

Who it's for

Woodwind quartets and small ensembles looking for substantial Classical repertoire that doesn't require a locked instrumentation. Directors who juggle varying attendance or need flexible scoring will appreciate how this arrangement adapts to different room configurations without compromising Haydn's musical intent.

How to get the most out of it

  • Maintain a crisp, dance-like pulse throughout. The Allegro con Spirito marking asks for energy and forward motion, not heaviness.
  • Balance the inner voices. With interchangeable parts, the middle lines often carry harmonic content that shouldn't disappear into the background.
  • Let the articulation choices breathe with the phrase shapes. Short notes don't mean detached; they should sit within the melodic line naturally.

How to use it

Pair this as an elegant opening to a concert featuring lighter Classical or contemporary chamber works. It also works beautifully in a program exploring Haydn's orchestral thinking at a smaller scale, or as the centerpiece of a chamber music evening showcasing different woodwind combinations.

Skills your students will build

  • Reading interchangeable parts and understanding harmonic function across different instrumental ranges
  • Phrasing within a Classical formal structure (typically A-B-A or sonata-influenced designs)
  • Balance and blend in a four-to-five voice ensemble without relying on a full orchestra
  • Period-appropriate articulation and ornamentation in the Classical style

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