Dancing Queen (from Mamma Mia!): SSAB Choral Octavo
From the Smash Hit Musical Mamma Mia!
Words and music by Benny Andersson, Stig Anderson, and Björn Ulvaeus / arr. Alan Billingsley
Item: 00-PO-0001259
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Benny Andersson
Benny Andersson co-founded ABBA with Björn Ulvaeus in 1972, and their partnership became one of the most commercially successful songwriting teams in pop history. Beyond his work as keyboardist and vocalist for the band, Andersson has composed extensively for musical theater, most notably co-creating the score for Mamma Mia! alongside Ulvaeus. His gift for crafting melodies that sit naturally in the voice makes his songs ideal for choral arrangement.
Why we love this
Alan Billingsley's SSAB voicing captures the irresistible groove of the original without requiring soloists or complex rhythmic coordination that slows rehearsal progress. The arrangement holds genuine disco energy while remaining accessible for choirs that span varying vocal maturity levels, making it equally effective at pops concerts and musical theater showcases.
What to expect
Pure effervescence. The song sparkles with the confidence of someone at peak joy, delivered through shimmering harmonies and a relentless disco heartbeat. Your singers will feel the celebration in their bodies, not just understand it intellectually.
Who it's for
Choirs seeking contemporary material with immediate appeal and built-in concert engagement. This works for intermediate to advanced groups ready to handle the stylistic demands of pop singing without needing to be professional show singers.
How to get the most out of it
- Keep the tempo steady and driving; resist the urge to rush the eighth-note figures. The groove lives in consistent pulse, not speed.
- Balance the SA parts in the verses so neither overshadows the other. Think of them as a conversation rather than a solo with backup.
- Let the recorded accompaniment define the groove for the first run-through, then gradually layer in the parts without it once the ensemble locks in.
- Articulate the rhythmic hits precisely, especially at section breaks. Clean attacks on syncopated moments give the arrangement its disco shine.
How to use it
Pair this with other ABBA arrangements or Broadway selections for a special pops event, or use it as a standalone closer when you need the audience on their feet. The Glee connection means many of your singers already know it, which accelerates learning and builds confidence early in the rehearsal process.
Skills your students will build
- Sustaining groove in pop singing (rhythmic precision without losing legit tone)
- Balancing three distinct vocal lines within SSAB voicing
- Singing with contemporary style and articulation (crisp eighth notes, styled vowels)
- Reading and performing syncopated rhythmic patterns
- Interpreting musical style from recorded reference material