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Dances for Two, Book 3: Piano Duet (1 Piano, 4 Hands) Book

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Dances for Two, Book 3 Cover Image

Dances for Two, Book 3: Piano Duet (1 Piano, 4 Hands) Book

5 Late Intermediate Piano Duets in Dance Styles

By Catherine Rollin

Level: Late Intermediate

Item: 00-40579

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Description
Fans of Dances for Two, Books 1 and 2 will be thrilled to have this third volume of exciting duets. Five different dance styles are featured, from a spirited paso doble to an elegant French valse, each piece written effectively to show off the performers as well as the musical style. Students will enjoy the added rhythmic effects of snapping, clapping and tapping in two of the pieces, creating a fun-filled experience for all. Titles: Danza Havana * Double Digit, Finger Snappin', Jazz Dancin' Fun * Paso Doble Noble * Toe Tappin' Showstopper! * Valse Bleu. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dances for Two, Book 3: Piano Duet (1 Piano, 4 Hands) Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Dances for Two
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7390-9407-6
ISBN13: 978-0-7390-9407-5
UPC: 038081455051
SKU: 00-40579

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring students who consistently earn festival recognition. She holds degrees from the University of Michigan and Oakland University School of Performing Arts, and has delivered workshops and masterclasses across the United States, Canada, Japan, and Taiwan.

Rollin's compositions have earned commissions from Clavier Companion, MTNA, and the Michigan Music Teachers Association, with multiple selections in the National Federation of Music Clubs Festivals Bulletin. She has judged at the national level for MTNA competitions, served on the Lynn Freeman Olson Composition Contest panel, and received a commission through MTNA's From the Pen to the Premiere series. Her ASCAP award-winning Museum Masterpieces series and recent Steinway Society recital spotlight her dual work as composer and pianist.

Why we love this

Rollin understands exactly what makes a duet work at this level: each hand gets moments to shine, the writing stays practical for the stage, and the five contrasting styles keep both players engaged. The rhythmic elements like snapping and clapping turn practice into a social event, which means students actually look forward to rehearsals. This book earns its Federation selection through genuine musicality, not gimmick.

What to expect

Dancing across the keyboard with a partner. Each piece carries the joy of its particular tradition, from the warmth of Cuban rhythms to the sparkle of a ballroom evening, all wrapped in writing that feels natural under the hands.

Who it's for

Student pianists ready to explore ensemble playing with sophisticated musical content. Teachers seeking duet repertoire that builds confidence through varied styles and showcases technique without overwhelming the score.

How to get the most out of it

  • Establish the clapping and snapping cues in separate slow-tempo run-throughs before adding tempo. Rhythmic precision here becomes the glue that holds the ensemble together.
  • Balance the primo and secondo lines during rehearsal by practicing each voice alone first, then bringing them together gradually. Rollin writes for both players, not one and an accompanist.
  • Let the dance styles dictate your interpretation: the Cuban groove in Danza Havana should feel rooted and warm, while the French valse needs lift and elegance. The music will guide you if you listen to the character of each piece.
  • Record yourselves early in the learning process. Hearing back reveals whether the rhythmic effects land cleanly or whether you need to drill specific patterns together.

How to use it

Book 3 fits naturally into a spring recital focused on duets or international themes, or as part of a series evening celebrating Rollin's work across multiple levels. The rhythmic pieces work especially well in pops concerts where the audience engagement pays off immediately.

Skills your students will build

  • Ensemble listening and balance between primo and secondo voices
  • Rhythmic precision with body percussion (clapping, snapping, tapping) integrated into performance
  • Stylistic interpretation across five distinct dance genres
  • Two-hand coordination while tracking a partner's part
  • Reading and maintaining tempo while managing melodic and accompanimental roles

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