Dance the Night Cover Image

Dance the Night: SSATB, a cappella Choral Octavo

$2.55 USD
Sale price  $2.55 USD Regular price 
Skip to product information
Dance the Night Cover Image

Dance the Night: SSATB, a cappella Choral Octavo

Recorded by Dua Lipa for Barbie

Words and music by Dua Lipa, Andrew Wyatt, Mark Ronson, and Caroline Ailin / arr. Rob Dietz

Item: 00-51173

Need it now?

Buy Digital Version
$2.55
Shipped

One moment…

Description
Here's the smash hit from Barbie in a contemporary a cappella setting by popular aca-pop arranger Rob Dietz. This driving adaptation gives every section of the choir a chance to shine, with no soloists required. For even more fun, simple body percussion kicks it up a notch, and optional vocal percussion may be improvised. "Dance the night away!"

Dance the Night: SSATB, a cappella Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081582108
SKU: 00-51173

More about this title

About the Composer: Dua Lipa

Dua Lipa is a British-Kosovar pop artist whose infectious energy and genre-blending approach have made her one of the most streamed musicians in the world. Her collaboration with Mark Ronson and Andrew Wyatt on "Dance the Night" showcases her instinct for creating earworm melodies that lodge themselves in listeners' minds—a quality that translates beautifully to choral settings where singability and momentum matter most.

Why we love this

Rob Dietz's arrangement strips away nothing essential while building a choral sound that's genuinely exciting. Every voice part stays engaged throughout; no one sits idle waiting for the hook, and the optional body percussion gives singers a physical anchor to the groove without requiring specialized percussion players.

What to expect

Sleek and propulsive, with the kind of infectious energy that makes audiences want to move. The writing balances pop sensibility with genuine choral texture, creating moments of surprising harmonic sophistication alongside the earworm hook.

Who it's for

Choirs eager to program contemporary repertoire that demands genuine musical engagement rather than novelty appeal. This works for high school, college, and adult community groups comfortable with pop idiom but seeking arrangement depth.

How to get the most out of it

  • Keep the rhythmic drive relentless. This piece depends on precision in the syncopated sections, so lock the ensemble's subdivision before layering parts.
  • Encourage singers to feel the body percussion as integral to the texture, not an afterthought. Light clapping or snapping on specific beats should feel conversational with the vocal lines.
  • Shape phrases around the melody's arc rather than stopping at measure bar lines. The contemporary pop idiom rewards long lines that build energy across full sections.
  • Balance the upper voices carefully in the SSATB divisi passages. The soprano and mezzo-soprano parts both carry important material, so blend them deliberately rather than letting sopranos dominate.

How to use it

Perfect as a set-closer on a concert where you want to leave the audience energized and smiling. Consider pairing it with other contemporary arrangements to create a cohesive "pop reimagined" set, or use it as the tonal relief after more classical repertoire.

Skills your students will build

  • Rhythmic precision in syncopated pop idiom
  • Maintaining ensemble cohesion across multiple simultaneous rhythmic patterns
  • Blending divisi soprano and mezzo-soprano parts
  • Connecting body percussion to vocal phrasing and groove
  • Shaping contemporary pop phrases across phrase boundaries

You May Also Like