Dance the Night Cover Image

Dance the Night: Concert Band Conductor Score

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Dance the Night Cover Image

Dance the Night: Concert Band Conductor Score

From Barbie

Words and music by Dua Lipa, Andrew Wyatt, Mark Ronson and Caroline Ailin / arr. Michael Story

Grade: 2.5

Item: 00-50785S

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Description
This catchy tune by talented singer-songwriter Dua Lipa is featured in the blockbuster Barbie movie. This earworm is going to be a hit with your students. Dance the Night is perfectly arranged by Michael Story for young band and ready to energize your next concert. (2:05)

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
ISBN10: 1-4706-6723-1
ISBN13: 978-1-4706-6723-8
UPC: 038081585840
SKU: 00-50785S

More about this title

About the Composer: Dua Lipa

Dua Lipa is a British-Kosovar pop singer and songwriter who emerged as a major force in contemporary pop music in the mid-2010s. Known for her powerful vocals and collaborations across genres, she has written and co-written numerous chart-topping hits that balance pop accessibility with artistic credibility. Her work spans dance-pop, ballads, and genre-blending projects, often created in partnership with producers and songwriters like Mark Ronson and Andrew Wyatt.

Why we love this

Michael Story's arrangement captures the infectious energy of the original without sacrificing musicality. The Grade 2.5 voicing gives every section something memorable to play, and students respond instantly to a song they actually know. It's the kind of piece that gets genuine enthusiasm before rehearsal even starts.

What to expect

Bright, propulsive, and undeniably fun. The arrangement pulses with the infectious rhythm and melodic catchiness of the original while maintaining clarity across all parts. There's an infectious lightness here that invites confident, rhythmically precise playing.

Who it's for

Concert bands at the Grade 2 to 2.5 level looking for contemporary, high-energy repertoire that engages students and audiences alike. Directors seeking to program music that bridges the gap between what students hear outside the rehearsal room and the concert hall. This works equally well as an opener that sets a fun tone or a closer that sends the audience out smiling.

How to get the most out of it

  • Lock the groove with your rhythm section first. The pocket in this tune carries everything; once percussion and low brass feel unified, the rest of the band locks in naturally.
  • Balance the melodic layers across sections. With such a catchy hook, it's easy for multiple voices to emphasize their own part. Work toward a blended sound where the main line sits just above the harmonic support.
  • Shape the dynamic contours to build momentum toward the final section. This arrangement has clear peaks and valleys; use them to propel the piece forward rather than settling into a static dynamic level.

How to use it

Open a concert with it to establish energy and connection with a young or family audience. Program it alongside other contemporary pop or rock arrangements to show students that concert band can speak in modern musical languages. It also pairs nicely with a contrasting slower piece to demonstrate the band's range.

Skills your students will build

  • Rhythmic precision in syncopated pop/rock figures
  • Balancing melody and harmony in contemporary arranging contexts
  • Understanding groove and pocket in non-classical styles
  • Ensemble blend when multiple sections carry motivic material simultaneously

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