'Cross the Wide Missouri Cover Image

'Cross the Wide Missouri: 3-Part Mixed Choral Octavo

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'Cross the Wide Missouri Cover Image

'Cross the Wide Missouri: 3-Part Mixed Choral Octavo

Shenandoah / The Water Is Wide

Arranged by Don Besig and Nancy Price

Item: 00-4753

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Description
What a wonderful pairing of two best-loved folk songs: Shenandoah and The Water is Wide. The fluid vocal lines will develop your choir's tone and control. Add the flowing piano accompaniment and the optional flute obbligato, and the result is a choral masterpiece from Don Besig and Nancy Price.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 'Cross the Wide Missouri: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081004587
SKU: 00-4753
Instrumentation: Opt. Flute

More about this title

About the Composer: Don Besig

Don Besig

Don Besig spent 31 years teaching public school music in western New York, where his concert choirs and show choirs became known for strong performances at festivals, contests, and community events. His work across all grade levels revealed a consistent gap: student singers and volunteer church choirs needed repertoire written with their abilities in mind. He began composing to fill that need, and his output has grown to over 350 original works and arrangements published by major school and church music houses, with more than 15 million copies in circulation.

Besig has received multiple ASCAP Special Awards for standard music and served as guest conductor, clinician, and adjudicator in 40 states and Canada. He holds a degree from Ithaca College and maintains active memberships in professional organizations including ACDA, MENC, NYSSMA, and ASCAP. Currently, he serves as director of music at Perinton Presbyterian Church in Fairport, New York.

Why we love this

This arrangement pairs two beloved folk melodies with exactly the right amount of musical substance to engage your singers without overwhelming them. The fluid vocal writing develops tone and control naturally, while the optional flute obbligato gives you flexibility to enhance the piece when you have an available player or keep it intimate with piano alone.

What to expect

The piece unfolds with the peaceful, contemplative quality of American folk tradition. Shenandoah and The Water is Wide move through their familiar melodic contours with harmonic support that feels inevitable rather than ornamental, creating a meditative soundscape that lingers after the final chord.

Who it's for

This octavo works well for intermediate choirs with a solid foundation in part singing. It's particularly effective for groups preparing for contest or festival settings, as well as for church choirs seeking substantive yet accessible seasonal or programmatic material.

How to get the most out of it

  • Balance the texture between your SAB voices and piano accompaniment; these melodies are strong enough to carry themselves without heavy instrumental support, which keeps the focus on choral tone quality.
  • If you include the flute obbligato, rehearse it separately from the choir first so the instrumental line doesn't pull singers' attention away from their own parts.
  • Shape the phrase endings with gentle breath and dynamic control rather than hard stops; folk melodies need to breathe and flow continuously.

How to use it

Program this as part of a folk music thematic set, or use it to bridge between more demanding contemporary works and lighter closing pieces on a concert. Its moderate difficulty and universal appeal make it an effective festival selection that satisfies adjudicators while remaining rewarding for singers to perform.

Skills your students will build

  • Sustaining legit tone across phrase lengths in a comfortable range
  • Balancing individual voice parts within a mixed ensemble
  • Phrasing and breath control in folk-style melody
  • Ensemble listening while maintaining independent part integrity

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