Crisantemi (Chrisanthemums) in C-sharp minor, SC 65 Cover Image

Crisantemi (Chrisanthemums) in C-sharp minor, SC 65: String Orchestra Conductor Score

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Crisantemi (Chrisanthemums) in C-sharp minor, SC 65 Cover Image
Crisantemi (Chrisanthemums) in C-sharp minor, SC 65: String Orchestra Conductor Score

Crisantemi (Chrisanthemums) in C-sharp minor, SC 65: String Orchestra Conductor Score

By Giacomo Puccini / arr. Lucas Drew

Item: 36-A111701
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Crisantemi (Chrisanthemums) in C-sharp minor, SC 65: String Orchestra Conductor Score & Parts

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Description
Crisantemi (Chrysanthemums) in C-sharp minor, SC 65 was composed in 1890 by Giacomo Puccini (1858-1924) as an elegiac work for string quartet, written in response to the death of Amedeo, Duke of Savoy. The title refers to the chrysanthemum, a flower associated in Italy with mourning and remembrance, and the music reflects a somber, introspective character marked by flowing lyric lines and restrained emotional intensity. Although conceived as a chamber work, Puccini later reused its principal themes in his opera Manon Lescaut (1893), demonstrating its personal significance. This arrangement for string orchestra has been completed by Lucas Drew. A count of 8-8-5-5-5 strings are included in the set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: EDWIN F KALMUS
ISBN13: 979-890-420-0640
UPC: 604634024410
SKU: 36-A111701
Instrumentation: String Orchestra (8.8.5.5.5 in set)

More about this title

About the Composer: Giacomo Puccini

Giacomo Puccini (1858-1924) stands as one of the most performed opera composers in history, yet his genius extended well beyond the operatic stage. Trained at the Milan Conservatory, he developed an extraordinary gift for memorable melody and orchestral color that made his operas accessible without sacrificing sophistication. His instrumental works, though fewer in number, reveal a composer capable of profound emotional expression through purely musical means, unencumbered by dramatic narrative.

Puccini's non-operatic output deserves far greater attention from string musicians and conductors. Crisantemi exemplifies his ability to distill complex emotion into lyric beauty, proving that his melodic mastery and harmonic refinement were foundational to his artistry rather than mere operatic ornament.

Why we love this

Crisantemi grants access to Puccini's intimate compositional voice in a form that string orchestras can truly inhabit. The elegiac atmosphere and flowing lyricism make it a natural fit for memorial concerts or poignant program moments, while the straightforward string writing ensures that musicians can focus on the expressive, singing quality the music demands rather than technical fireworks.

What to expect

Crisantemi unfolds as a meditation on loss, its opening phrases immediately establish an atmosphere of quiet grief held with dignity. The harmonic language shifts unexpectedly, mirroring the way memory surfaces and recedes, while the overall trajectory remains introspective and restrained. This is music that whispers rather than proclaims, yet carries undeniable emotional weight.

Who it's for

String orchestras with intermediate to advanced musicianship will find this work deeply rewarding. Directors seeking repertoire that develops interpretive maturity and ensemble blend without extreme technical demands will appreciate how Crisantemi challenges students to shape line and color rather than execute passage work.

How to get the most out of it

  • Cultivate long, unbroken phrases across the bowing. The music breathes through continuity, not articulation; resist the temptation to break at obvious harmonic moments.
  • Balance the outer voices carefully. First violins carry memorable material, but the inner voices (second violins, violas, cellos) sustain harmonic richness that can easily disappear if sections lack independence.
  • Let the harmonic language speak. Puccini's chromatic movement and unexpected modulations convey the introspection without exaggeration; slight rubato and careful dynamic shaping suffice.
  • Ensure the lower strings maintain forward momentum. A dragging bass or wavering cello line collapses the emotional architecture; consistent pulse matters even in restrained passages.

How to use it

Consider pairing this work on a concert dedicated to memorial or remembrance themes, where its elegiac nature becomes the heart of the evening rather than a standalone interlude. Alternatively, program it as the opening work of a concert centered on Puccini, using it to introduce audiences to a less familiar side of the composer before moving into operatic highlights.

Skills your students will build

  • Long-line phrasing across multiple measures and harmonic regions
  • Part independence within the string section, particularly sustaining accompaniment while soloistic material is carried elsewhere
  • Expressive shaping through subtle dynamic nuance and rubato rather than tempo shifts
  • Harmonic awareness and voice leading in chromatic progressions
  • Blended, cohesive string tone in lyric, non-virtuosic writing

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