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Corn: Choral Octavo SoundTrax CD

$29.99 USD
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Corn: Choral Octavo SoundTrax CD

from Shucked

Words and music by Shane McAnally and Brandy Clark / arr. Eric Van Cleave

Item: 00-51359

$29.99
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Description
Musical theater fans will be all "ears" for this barn-burner from Broadway's Shucked. It's a truncated version of the a-maize-ing opening number. Sing about the world's most useful crop in a hilarious three-minute arrangement that hits all the highlights of the corny crowd-pleaser. Kicks off with a theatrical duet, breaks into a bouncy two-beat, includes a kernel of a kickline, plus some full gospel sangin' at the end---wow!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081588575
SKU: 00-51359

More about this title

About the Composer: Shane McAnally

Shane McAnally is a Grammy-winning composer and producer whose work spans country, pop, and musical theater. His contributions to Broadway's Shucked showcase his ability to craft memorable, character-driven songs that balance humor with genuine heart. McAnally's catalog demonstrates consistent skill at writing singable melodies that engage both performers and audiences.

Why we love this

This arrangement captures the infectious energy of a Broadway opening number without requiring a pit orchestra or complex staging. The mix of theatrical storytelling, rhythmic variety (duet, two-beat, gospel), and built-in humor makes it genuinely fun to teach and perform, and the recorded accompaniment removes barriers for directors without access to accompanists.

What to expect

Lighthearted and theatrical, with a comedic premise that grounds the singing in genuine storytelling. The arrangement moves through distinct moods: witty duet, syncopated groove, rhythmic kickline energy, and finally a soulful gospel finale that feels earned and joyful.

Who it's for

Choirs seeking accessible Broadway material that doesn't require orchestration or elaborate staging. This works for upper elementary through adult ensembles with singers who can handle character voice and rhythmic precision in a pop idiom.

How to get the most out of it

  • Nail the character work in the opening duet. These lines establish the comedic tone, so lean into the theatrical delivery rather than treating it as straight singing.
  • The two-beat section needs precision from your rhythm section. Lock the tempo and articulation there before layering in the full ensemble.
  • Balance the gospel ending so the energy feels celebratory rather than overwhelming. Let dynamics and vowel shaping carry the moment.
  • Use the recorded accompaniment in early rehearsals to establish style and pocket, then consider rehearsing sections without it to build independence.

How to use it

Program this as a concert opener or second piece to set a fun, contemporary tone. It pairs naturally with other pop or musical theater repertoire and works well in spring programs, pops concerts, or shows celebrating humor and musical theater. At three minutes, it's the right length to anchor a shorter set without demanding too much rehearsal time from your ensemble.

Skills your students will build

  • Rhythmic independence in a syncopated pop style
  • Character voice and theatrical delivery in ensemble singing
  • Sectional balance across contrasting musical styles (theatrical duet, two-beat groove, gospel)
  • Reading and executing kick line rhythms in a choral context

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