Corn: SATB Choral Octavo
from Shucked
Words and music by Shane McAnally and Brandy Clark / arr. Eric Van Cleave
Item: 00-PO-0007281
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Shane McAnally
Shane McAnally is a Grammy-winning composer and lyricist who has shaped contemporary music across country, pop, and musical theater. His work on Broadway's Shucked demonstrates his gift for crafting theatrical moments that feel both accessible and sophisticated, with melodies that stick in your head long after the final curtain.
Why we love this
Eric Van Cleave's arrangement preserves the theatrical charm and comic momentum of the original while making it singable for high school and community choirs. The structural variety keeps singers engaged: a duet opener, two-beat groove, kickline section, and gospel finale pack genuine entertainment value into three minutes without sacrificing ensemble cohesion.
What to expect
Playful, high-energy, and unapologetically corny in the best way possible. The piece shifts tone several times, moving from charming duet storytelling to infectious two-beat energy to a genuine moment of gospel sincerity that catches you off guard.
Who it's for
High school and community choirs seeking Broadway material that entertains without demanding extensive staging or extended rehearsal time. Singers who thrive on humor and theatrical flair will connect with the quirky subject matter and varied musical colors.
How to get the most out of it
- Start the opening duet with clear character work. The theatrical tone sets the stage for everything that follows, so commit to the storytelling from measure one.
- Lock the two-beat groove with your rhythm section. The bounce needs to feel effortless, so anchor it with confident bass and drums before the choir enters full voice.
- Shape the kickline section with rhythmic precision and playful energy. Think of it as a moment for the ensemble to shine with synchronized articulation and tight unison phrasing.
- Build the gospel section with authentic warmth. The contrast between the uptempo comedy and this soulful moment is what makes the ending land.
How to use it
Use this as a concert opener or a standalone showstopper that bridges musical theater and pop choral repertoire. It works especially well on programs that lean toward entertainment and contemporary songwriting, or as a palate cleanser between more serious selections.
Skills your students will build
- Shifting between theatrical interpretation and pop groove energy
- Balancing ensemble cohesion with duet clarity
- Syncopated rhythm in a two-beat feel
- Gospel-inflected phrasing and vocal production