Cool, Calm and Collected Sheet Music Preview

Cool, Calm and Collected: Lead Sheet

The Rolling Stones

Item: 00-PS-0012196

Digital Download
$4.99
Description
The Rolling Stones Fake Book includes 167 classic Stones songs recorded between 1963 and 1971 -- from early blues covers (Chuck Berry and Buddy Holly songs) to the psychedelia of Their Satanic Majesties Request. All songs are in complete, professional-style lead sheets with fundamental instrumental riffs and figures included. There is also a special guitar TAB section, featuring the pivotal guitar riffs and solos from 29 of their most legendary songs, an introductory essay, a full-color ABKCO years discography (with album art), and 40 pages of classic early sheet music covers reproduced in full color. The comb binding creates a lay-flat book that is perfect for study and performance. The ultimate Rolling Stones songbook!

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Additional Details
Series: Just Real Books Series
Publisher: Alfred Music
Page Count: 432
SKU: 00-PS-0012196

More about this title

About the Composer: Mick Jagger

Mick Jagger emerged as one of rock music's defining frontmen and songwriters, co-creating with Keith Richards a catalog that reshaped popular music from the mid-1960s forward. As the primary lyricist and vocalist for The Rolling Stones, Jagger crafted songs that blended blues tradition with contemporary attitude, influencing generations of rock musicians and composers who followed.

Why we love this

This collection captures the Stones' foundational years through professional lead sheets that preserve both the harmonic sophistication and raw energy of their original recordings. The inclusion of essential guitar riffs and a dedicated TAB section makes it an invaluable resource for guitarists learning how these songs actually function, while the historical context and vintage cover art connect players to the cultural moment that shaped rock music.

What to expect

Swaggering, inventive, and endlessly rhythmic. These songs pulse with the blues roots from which they grew while pushing into unexpected harmonic territory and raw emotional delivery. Playing through this collection feels like tracing the DNA of modern rock from its American blues foundation through the psychedelic experiments that followed.

Who it's for

Guitarists and bandleaders who want to understand how classic rock songs are constructed and performed, from intermediate players building their repertoire to experienced musicians arranging Stones material for their own ensembles. This resource serves educators teaching rock history through actual music-making, as well as students serious about mastering the guitar styles that defined an era.

How to get the most out of it

  • Study the included guitar riffs before performing; they define the groove and give you the skeleton of how each song breathes rhythmically
  • Reference the TAB section for the signature solos on the 29 featured songs to capture the distinctive playing style that made these recordings iconic
  • Use the lead sheets as a springboard for improvisation rather than a strict constraint; the Stones' interpretations varied live, and your arrangement should reflect your band's voice
  • Pay attention to the chord voicings and progressions shown in the professional charts; they often contain unexpected movements that drive the song's harmonic character

How to use it

Program individual Stones songs alongside other classic rock material to demonstrate how blues changes and riff-driven writing power contemporary ensemble music. Use this as a curriculum resource for teaching rock songwriting, harmonic analysis, and the relationship between composed arrangements and live performance practice. Select pieces for winter or spring rock-focused concerts that celebrate guitar-driven rock history.

Skills your students will build

  • Reading lead sheets with chord changes and melody line
  • Interpreting guitar TAB notation for melodic and rhythmic riffs
  • Understanding blues-based harmonic progressions in rock contexts
  • Analyzing how signature riffs function as primary melodic material
  • Adapting written arrangements for ensemble instrumentation
  • Recognizing variations between studio recordings and live performance styles

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