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Convergence: Concert Band Conductor Score & Parts

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Convergence: Concert Band Conductor Score & Parts

By Roland Barrett

Grade: 4

Item: 98-B1295

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Description
Explosive fanfares and woodwind flourishes set the pace for this high-energy work that celebrates the boundless spirit created by the convergence of cultures, beliefs, and ideals. The main theme is first stated by piccolo before reiterated by full ensemble. Oboe or English horn is showcased in the lyrical section that features intimate chamber playing and sweeping melodic lines. As the final section builds, the opening fanfare returns under a fierce woodwind ostinato. Outstanding!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398220076
SKU: 98-B1295

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett has shaped generations of musicians both as a classroom instructor and as a working composer. Since 2001, he has served on the University of Oklahoma's music theory and composition faculty, where his courses emphasize 20th century techniques and serve undergraduate and graduate students alike. Beyond the classroom, he continues as the musical arranger for the Pride of Oklahoma marching band, maintaining direct engagement with contemporary ensemble music.

With over two hundred published works for symphonic band, chamber groups, and marching ensembles, Barrett has earned recognition as a nationally commissioned composer. His pieces have been performed by the Dallas Wind Symphony and countless All-State and All-Region honor bands, while receiving airplay on NPR and television broadcasts. A multiple ASCAPlus award recipient, Barrett brings both scholarly depth and practical band experience to his composition.

Why we love this

Convergence demonstrates Barrett's gift for architectural pacing. The trajectory from explosive opening through intimate oboe dialogue to a final climax built on layered woodwind writing creates an arc that holds audiences and performers alike, making it both musically satisfying and genuinely exciting at the Grade 4 level where such maturity of form isn't always guaranteed.

What to expect

Convergence radiates forward momentum and collective purpose. The piece moves from bold, bright declarations through intimate moments of reflection before building to a final, inevitable collision of ideas. There's optimism embedded in the harmonic language and a genuine sense that something is being celebrated and affirmed.

Who it's for

Bands at the upper Grade 4 level ready to tackle more sophisticated harmonic language and ensemble writing. This work engages every section with meaningful material and rewards ensemble cohesion, making it ideal for groups preparing for festival or contest settings.

How to get the most out of it

  • Shape the opening fanfare as a unified declaration. Brass and woodwinds must lock in on the rhythmic profile so the ensemble sounds like one voice announcing arrival rather than separate choirs responding.
  • Allow the oboe or English horn soloist to breathe generously in the lyrical section; the chamber texture gives room for genuine phrasing rather than mechanical ensemble playing.
  • Balance the returning fanfare in the final section so the woodwind ostinato cuts through without drowning out the horn and trumpet lines underneath; this is where precision sectional rehearsal pays dividends.
  • Control the acceleration into the final climax by gradually tightening ensemble response rather than simply driving tempo; the energy comes from tighter rhythmic alignment, not rushing.

How to use it

Program this as a concert centerpiece or festival selection where you want to showcase both the band's technical control and its ability to manage dynamic contrast. Its celebration of cultural convergence pairs well with thematic concert programming around unity, connection, or contemporary voices in music.

Skills your students will build

  • Balance across multiple simultaneous melodic lines
  • Ensemble precision in rapid articulation and rhythmic coordination
  • Expressive solo playing within a full ensemble context
  • Dynamic control across the full range from intimate chamber textures to full-band fortissimo
  • Interpretation of 20th century harmonic language and its expressive implications

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