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Convergence: Concert Band Conductor Score

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Convergence: Concert Band Conductor Score

By Roland Barrett

Grade: 4

Item: 98-B1295S

$12.00
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Description
Explosive fanfares and woodwind flourishes set the pace for this high-energy work that celebrates the boundless spirit created by the convergence of cultures, beliefs, and ideals. The main theme is first stated by piccolo before reiterated by full ensemble. Oboe or English horn is showcased in the lyrical section that features intimate chamber playing and sweeping melodic lines. As the final section builds, the opening fanfare returns under a fierce woodwind ostinato. Outstanding!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444479582
SKU: 98-B1295S

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett has shaped music education and composition at the University of Oklahoma since 2001, where he teaches theory and composition with a focus on twentieth-century techniques at both undergraduate and graduate levels. Beyond the classroom, he serves as musical arranger for the Pride of Oklahoma marching band and has established himself as a prolific composer and arranger with over two hundred published works spanning symphonic band, chamber ensembles, and marching band contexts.

Barrett's compositions have reached audiences through performances by the Dallas Wind Symphony, countless All-State and All-Region honor bands, and broadcasts on National Public Radio and USA cable television. His work has been programmed at the Midwest Band & Orchestra Convention, the National Trumpet Competition, and the International Trumpet Guild convention. A multiple recipient of the ASCAPlus award, Barrett has earned recognition from peers and institutions throughout his career in composition.

Why we love this

Convergence delivers the kind of immediate energy that wins over audiences and contest judges alike. The orchestration balances showcase moments for your principal woodwind players against full ensemble power, and Barrett's handling of the fanfare-to-lyrical-to-ostinato arc gives you real dramatic shape to conduct. This is the kind of Grade 4 piece that doesn't feel like it's settling for the level.

What to expect

The opening explodes with fanfare brilliance, then pulls inward for a tender, exposed oboe moment that feels almost like chamber music before swelling again with renewed intensity. It captures the energy of collision and synthesis, moving between spectacle and intimacy without losing its sense of purpose.

Who it's for

Bands at the Grade 4 level that have solid fundamental technique and are ready for a piece that demands musical maturity alongside technical execution. This score works equally well for directors programming a contest or festival entry and those seeking concert material with real dramatic impact.

How to get the most out of it

  • Establish the piccolo entrance with clarity and precision; this moment defines the piece's character, so it needs to cut through the opening fanfare setup without rushing.
  • Shape the oboe or English horn solo with the chamber-like intimacy the score suggests, resisting the urge to make it operatic even though the surrounding context is grand.
  • Balance the final woodwind ostinato carefully so it energizes rather than overwhelms the returning fanfare; these layers need to lock without one obscuring the other.
  • Use the shift between sections as opportunities for subtle tempo and dynamic recalibration; Convergence works best when each area feels purposeful rather than a single unbroken sprint.

How to use it

Program this as a concert opener or a first-half closer to establish your band's musicianship and energy right away. It pairs well with a contrasting lyrical work, letting the intimacy of the oboe solo set up a needed dynamic shift in your programming. At Grade 4, it's sophisticated enough for late-season contests while remaining accessible enough for early fall performance.

Skills your students will build

  • Balancing sectional independence with ensemble unity
  • Executing rapid dynamic and textural shifts
  • Playing exposed solo lines with musical phrasing rather than technical display
  • Sustaining rhythmic intensity through ostinato figures
  • Responding to gesture-based conducting in multi-section forms

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