Contredanse: String Orchestra Conductor Score & Parts
By Larry Clark
Grade: 1
Item: 00-PK-0002285
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Contredanse: Score | $8.00 | |
| Contredanse: 1st Violin | $5.99 | |
| Contredanse: 2nd Violin | $5.99 | |
| Contredanse: Viola | $5.99 | |
| Contredanse: Cello | $5.99 | |
| Contredanse: String Bass | $5.99 | |
| Contredanse: Piano Accompaniment | $5.99 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Contredanse: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Larry Clark
Larry Clark has built a distinguished career writing accessible yet musically substantial works for young ensembles. His arrangements and original compositions consistently balance pedagogical clarity with genuine artistic merit, making him a trusted voice in music education publishing.
Why we love this
Clark nails the difficult trick of honoring historical form while keeping the harmonic language fresh enough to hold adult ears in the audience. The eight-measure phrase structure gives students a clear architecture to latch onto, yet the contemporary voicings prevent the piece from feeling like a museum exercise.
What to expect
The piece captures the social vitality of 18th-century French dance music, that sense of community and joy in shared movement, while speaking in a harmonic language audiences recognize as modern. It's spirited without being lightweight.
Who it's for
Grade 1 string orchestras looking for material that engages both players and listeners without patronizing either group. This works particularly well for programs that want to program something historically grounded yet stylistically current.
How to get the most out of it
- Keep the eighth-note motion conversational rather than mechanical. These repeated phrases invite a light, dancing quality that disappears if players lock into metronomic precision.
- Shape each eight-measure phrase as a small arc. Think of it as a musical sentence with a gentle rise and landing, not a series of identical blocks.
- Balance the upper voices so the melody sits clearly without drowning out the harmonic sophistication underneath. Clark's contemporary harmonies deserve to be heard.
How to use it
Pair this with Baroque or Classical repertoire to show how composers then and now approach the same dance forms, or program it as an intermission opener where its bright energy and compact runtime reset the room's mood between heavier selections.
Skills your students will build
- Phrasing in eight-measure units and understanding phrase hierarchy
- Reading and executing contemporary harmonic language at Grade 1 level
- Balancing independence of voices within a clearly structured form
- Sustaining consistent ensemble tone across repeated material