Contredanse: Concert Band Conductor Score & Parts
By Larry Clark
Grade: 1 (Very Easy)
Item: 00-PK-0002105
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Contredanse: Score | $10.00 | |
| Contredanse: Flute | $3.00 | |
| Contredanse: Oboe | $3.00 | |
| Contredanse: 1st B-flat Clarinet | $3.00 | |
| Contredanse: B-flat Bass Clarinet | $3.00 | |
| Contredanse: E-flat Alto Saxophone | $3.00 | |
| Contredanse: B-flat Tenor Saxophone | $3.00 | |
| Contredanse: E-flat Baritone Saxophone | $3.00 | |
| Contredanse: 1st B-flat Trumpet | $3.00 | |
| Contredanse: 1st F Horn | $3.00 | |
| Contredanse: Baritone T.C. | $3.00 | |
| Contredanse: 1st Trombone | $3.00 | |
| Contredanse: Tuba | $3.00 | |
| Contredanse: Mallets | $3.00 | |
| Contredanse: Timpani | $3.00 | |
| Contredanse: 1st Percussion | $3.00 | |
| Contredanse: 2nd Percussion | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Contredanse: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Larry Clark
Larry Clark is a prolific composer and arranger whose catalog spans concert band, wind ensemble, orchestra, and choral settings. His work is distinguished by craftsmanship that serves student musicians: he understands the technical and musical needs of developing ensembles and writes music that challenges without overwhelming. Clark's compositions balance accessibility with genuine artistic substance, making him a trusted voice in educational music publishing.
Why we love this
This piece captures the spirit of 18th-century dance music without sounding like a period museum piece. Clark's contemporary harmonic language keeps the contredanse fresh and engaging for modern listeners, while the straightforward eight-measure phrase structure gives young musicians a clear roadmap. It's an authentic introduction to classical form that audiences actually want to hear.
What to expect
Elegant and approachable. The contredanse evokes the civility and ordered beauty of an 18th-century ballroom, yet the harmonic language feels immediate and alive rather than antiquarian. It's music that invites movement and brings genuine joy to both performers and listeners.
Who it's for
Grade 1 concert bands and wind ensembles ready to explore classical forms with contemporary ears. This works equally well for groups seeking repertoire that appeals to audiences and for those building foundational understanding of phrase structure and repetition.
How to get the most out of it
- Emphasize the regularity of the eight-measure phrases by maintaining consistent phrase breathing; the repetition is the musical point, not a reason to rush or slacken.
- Balance melodic clarity with the supporting harmony. The familiar dance-form structure will shine if the ensemble locks onto a steady pulse rather than pushing or dragging.
- Shape dynamics carefully through the repeated sections. Small crescendos and diminuendos within similar phrases prevent monotony without breaking the classical character.
How to use it
Pair this with other classical or early Romantic concert band works to build a themed program, or use it as a contrast piece in a concert that spans multiple eras. At 2:24, it works well as a concert opener or as a palate-cleanser between larger works. Consider programming it for contests or festivals where sophisticated accessibility resonates with adjudicators.
Skills your students will build
- Understanding eight-measure phrase structure and repetition in classical forms
- Maintaining steady pulse and ensemble balance through repeated melodic material
- Performing with stylistic awareness of dance forms and historical musical contexts
- Balancing melody and harmony within a clear structural framework