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Concert Rhapsody: Cello Book

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Concert Rhapsody: Cello Book

By Aram Khachaturian

Item: 00-K04434

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Description
A cleanly printed edition of the cello concerto written in 1963. Includes a piano reduction of the orchestra part.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Concert Rhapsody: Cello Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7579-0572-2
ISBN13: 978-0-7579-0572-8
UPC: 654979999201
SKU: 00-K04434

More about this title

About the Composer: Aram Khachaturian

Aram Khachaturian (1903-1978) was an Armenian composer whose works bridge Russian orchestral tradition with the folk melodies and rhythmic vitality of the Caucasus. His harmonic language combines lush chromatic writing with modal inflections drawn from Armenian music, creating a sound world that feels both exotic and emotionally direct. Khachaturian achieved international recognition through ballet scores (Gayaneh, Spartacus) and concertos that showcase virtuosic soloists against richly colored orchestral textures.

For cellists, Khachaturian's 1963 Cello Concerto stands as a substantial recital work that demands both technical facility and interpretive maturity. The piece exemplifies his gift for writing idiomatic string parts that lie naturally on the instrument while requiring genuine command of the upper register, vibrato control, and dramatic projection.

Why we love this

This concerto offers cellists a 20th-century masterwork with immediate appeal: broad melodic lines, vivid harmonic color, and the kind of sweeping emotional arc that audiences recognize instantly. Unlike many modern concertos, it never sacrifices musical substance for novelty, making it equally rewarding for advanced high school players and professionals preparing competition or recital programs.

What to expect

Passionate and yearning, with sudden shifts from introspection to exuberance that reflect Khachaturian's gift for melodic storytelling. The cello sings over rich harmonic support, exploring both the warmth of the middle register and the brightness of higher positions, while the piano reduction pulses with orchestral color that suggests a full ensemble.

Who it's for

Advanced high school cellists preparing for regional competitions, college auditions, or senior recitals, as well as undergraduate and graduate students building a contemporary concerto repertoire. This edition works best for players with solid intonation in the higher positions and the expressive maturity to sustain long phrases without technical distraction.

How to get the most out of it

  • Shape the opening theme with a warm, singing tone and allow rubato in the lyrical passages; Khachaturian's orchestration supports expressive flexibility rather than metronomic rigidity.
  • Balance vibrato carefully in the upper register where the cello sits close to the piano's treble range; clarity of pitch matters as much as warmth.
  • Coordinate with the pianist on the harmonic rhythm in sections where the piano reduction handles multiple orchestral layers; clear communication about pulse prevents muddiness.
  • Mark the climactic moments with increased bow speed and weight rather than tension; Khachaturian's fortissimo passages should sing, not strain.

How to use it

Program this as a recital centerpiece alongside Romantic concertos (Elgar, Dvořák) or contrast it with contemporary chamber works to show the breadth of 20th-century cello writing. For competitions and festivals, it serves as an excellent choice for cellists seeking substantial, audience-engaging repertoire with strong musical substance.

Skills your students will build

  • Sustaining long legato phrases with consistent tone and vibrato control
  • Navigating the upper register with clarity and intonation security
  • Shaping multi-section forms and managing dramatic arc across 16 pages
  • Balancing cello voice with a piano reduction that represents orchestral density
  • Interpretive flexibility within a tonally grounded harmonic language

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